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Inspired by Art and Wondering Why?

by Sheron Long on August 18, 2014

Sculpture of "The Thinker" by Auguste Rodin is itself an example of inspiring art used in this article to suggest making an emotional connection to art instead of overthinking it. (Image © Robert Long )

“Le Penseur” (The Thinker) by Auguste Rodin at the Rodin Museum, Paris.
Image © Robert Long

Don’t Overthink It!

Art. It’s part of our earth and in every heart. It’s as old as time, and yet it lights up the future. It speaks to you without words.

Art began talking to me during college, not as much in my art history class as on a study abroad visit to the Rodin Musuem in Paris. Perhaps it was my age and the subject matter of “The Kiss” that caused the emotional connection, but art has been a source of inspiration ever since.

"the Kiss" sculpture by Auguste Rodin inspires and emotional connection to art. (Image © Robert Long)

“Le Baiser” (The Kiss) by Auguste Rodin.
Passion burns in a slab of stone.
Image © Robert Long

Like all those feelings you can’t explain, I wondered why. Even studied quite a bit about form and composition, line and color, representation and abstraction. While all that knowledge helps with art appreciation, I came to understand that the value in viewing art is feeling it.

Now I don’t go to museums to analyze the works but rather to be in the midst of inspiring art. It makes me marvel, and that’s a thrill.

The Brain Reaction

Evidently, there’s a biological explanation. In a 2011 study, the British neurobiologist Semir Zeki showed artwork to people as he mapped, through fMRI, the parts of the brain that responded. Those parts associated with pleasure and reward lit up.

Scientists at the University of Toronto pooled data from 15 similar studies between 2004 and 2012. They also found that viewing paintings activated brain regions related to inner thoughts and emotions.

Though this brain research is recent, people have known the joy of making and viewing art for thousands of years. The oldest art in the Louvre Museum is this lime plaster statue dating to about 7200 BCE and excavated from ‘Ain Ghazal near Amman in northwest Jordan.

9000-year-old human figure excavated from 'Ain Ghazal in Northwest Jordan inspires an emotional connection to art. (Image © Sheron Long)

This guy delighted eyes 9000 years ago and now today
in the Louvre Museum, Paris.
© Sheron Long

Look into his eyes and you can’t help but smile. This statue is one of about 25 figures believed to be the earliest large-scale representations of the human figure.

Perhaps the ‘Ain Ghazal figures started a trend, though not all the splendid statues that followed in history have eyes or even heads. The Winged Victory lost her head somewhere along the way, but the folds of her flowing garment pressed by the wind against her body show the work of a sophisticated sculptor in ancient Greece. And, oh, those magnificent wings—admire them and you can almost feel the front part of your brain light up!

"Winged Victory of Samothrace" in the Louvre Museum, Paris, illustrating how inspiring art evokes an emotional connection. (Image © Robert Long)

The “Winged Victory of Samothrace” depicting the Greek messenger goddess Victory dominates a hall
in the Louvre Museum, Paris.
© Robert Long

French Lessons

In France patrimoineor French heritage, includes the sculptures shown here—in fact, all art in the national museums. As such, the art is protected and owned by the country’s citizens, who are charged with passing a love of art onto the next generation.

That’s why you often share the galleries in French museums with inquisitive school children, like this group of sketchers at the Fondation Maeght in Saint-Paul-de-Vence.

School children sketching sculptures develop an emotional connection to art. (Image © Sheron Long)

Eyeing “Spoon Woman” by Alberto Giacometti gives a young girl an early start on appreciating art.
© Sheron Long

Another group recreated Alberto Giacometti’s skinny dog with pipe cleaners, literally feeling the art.

School children studying the inspiring art of Alberto Giacometti as they use pipe cleaners to recreate his bronze sculpture of a skinny dog. (Image © Sheron Long)

Culture and heritage come along with this art lesson.
© Sheron Long

Bronze dog, inspiring art by Alberto Giacometti, alongside two student creations made from pipe cleaners  and illustrating an emotional connection with art. (Image © Sheron Long)

Two pipe cleaner dogs and one Giacometti bronze—
all capture the imperfect forms for which the sculptor is famous.
© Sheron Long

The French lessons are an “Oh, I see” moment: Connecting with heritage, connecting with art is a human right. The French make sure their children get the chance.

The Outdoor Museum

It’s true that most art is inside museums, so people often have to make a deliberate choice to see it. Some are put off by guides who make them feel ignorant or the stuffiness of some institutions. Communities that place art in public spaces and street artists who create so much more than graffiti are making a difference in access, however.

Boy climbing on a modern art sculpture of a large head in the Tuileries Gardens. (Image © Robert Long)

Art you can climb on!
Sculpture by Ugo Rondinone
© Robert Long

When Swiss-born sculptor Ugo Rondinone set up 12 giant heads in the Tuileries Garden for his “Sunrise East” exhibit, he added amusing interpretations of the human figure to history’s collection. He also gave museum access to the public with an open invitation to play with his inspiring art.

No one needed a guide. Most rediscovered a bit of wonder from these cast bronzes covered with silver auto paint. An emotional connection with art? For sure, and no need to overthink it.

Two adults showing an emotional connection with inspiring art as they make the same face as a funny sculpture of a giant head by Ugo Rondinone. (Image © Erick Paraiso)

Art inspires a number of emotional reactions.
© Erick Paraiso

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Chalk It Up to Dangerdust

by Meredith Mullins on July 21, 2014

Paul Klee chalkboard, life lessons via inspirational quotes and chalk art by Dangerdust.

A line is a dot that went for a walk—Paul Klee
© Dangerdust

Life Lessons in the World of Chalk Art

It’s after midnight. The classrooms at Columbus College of Art and Design are deserted and dark. All we hear is the unexpected sound of chalk on chalkboard.

Two shadowy figures, in a small pool of light, are hard at work on their weekly masterpiece. Vandals? Some might say so. But they are vandals of the best kind— capable of beautiful chalk art integrated with inspiring life lessons.

Covert Operations

The anonymous duo calls themselves Dangerdust. Their medium: motivational chalkboards that appear, mysteriously, every week in the hall of their Ohio art school. No one knows who the creators are (well, maybe a few friends and a professor or two). Dangerdust’s desire is to stay undercover.

Dangerdust at CCAD Art Fair, offering life lessons and inspirational quotes through chalk art.

Who is Dangerdust? We may never find out who the stealthy artists are.
Photo © Tyler Dunlavy (CCAD 2014)

The two Advertising and Design students have known each other for years. They say it’s easy to work together since they share the same work ethic and aesthetic when it comes to art and design.

To keep themselves from falling into a creative rut, last September they began to create the surreptitious chalkboards.

Close up of chalk art with a Q-tip, life lessons offered by Dangerdust

The tools of the trade
© Dangerdust

It was a way to stay creatively motivated, they said, through the long projects required for graphic design classes. “Chalking” got them away from the computer and back to the art of free design. It was also a way “to spend even more time not doing homework.”

Add to that some powerful inspirational quotes and the intrigue of anonymity, and the results attracted widespread attention. The chalkboards became a much awaited weekly event . . . and a social media sensation.

Coughing Up Chalk Dust

The first chalkboard paid homage to the elusive street artist, Banksy—appropriate given the duo’s own stealthy nature and their passion to deliver messages through a fleeting medium.

Banksy Chalkboard, chalk art offering life lessons by Dangerdust

Dangerdust Debut: A tribute to Banksy and aspirations of anonymity
© Dangerdust

After Week #1’s success, the ideas and artistic styles continued to evolve. Relatively simple monochromatic designs grew more sophisticated. More color. New typography. More hours. More coughing up chalk dust. Different tools (Q-tips, brushes, cloth). Art that adopted the style of the person quoted.

Nelson Mandela chalkboard, chalk art offering life lessons by Dangerdust

It always seems impossible until it’s done—Nelson Mandela
© Dangerdust

Doing What You Love

The quotes came from a diverse range of people—Claude Debussy, Bill Cosby, Julia Child, Mark Twain, Maya Angelou, Paul Klee, Nelson Mandela—but often delivered a message about doing what you love doing.

Nothing is really work unless you would rather be doing something else.        —J.M. Barrie

If you haven’t found it yet, keep looking. Don’t settle. As with all matters of the heart, you’ll know when you find it.  —Steve Jobs

The work you do while you procrastinate is probably the work you should be doing for the rest of your life.  —Jessica Hische

John Lennon chalkboard, chalk art offering life lessons by Dangerdust

Dimensional inspiration
© Dangerdust

When asked “What is the place of art in their lives?” the Dangerdust duo admits “It just sort of spills everywhere. We’ve always drawn, and we’ve always enjoyed any kind of creative pursuit. We expect it will always occupy, in some way, all of the space in our lives.”

Places to Go, Things to Do

Their last college chalkboard, presented on their graduation from CCAD in May (Chalkboard #24) offered the ultimate foreshadowing, a quote full of promise from Dr. Seuss.

Oh, the places you’ll go . . .

“It perfectly sums up where everyone is when they graduate,” the Dangerdust duo explained.

Dr. Seuss chalkboard, chalk art offering life lessons by Dangerdust

Words of graduation wisdom from Dr. Seuss
© Dangerdust (in collaboration with Casey Ligon)

And onward they go. Like most new graduates, they are forging their after-college path—doing freelance design, managing their social media celebrity, and turning some of that fan adoration into a revenue stream via their Etsy store.

They have also, just recently, begun to post new chalkboards to their Facebook page. Still anonymous. Still rich in design. Still inspiring.

If we wait until we’re ready, we will be waiting for the rest of our lives.             —Lemony Snicket

The most effective way to do it is to do it.  —Amelia Earhart

There is a recurring theme in the life lessons of this post-graduation chalk art. The “Oh, I see” moment is clear. Dangerdust believes in “doing it.” Artistic expression that kicks ass.

Amelia Earhart Chalkboard, chalk art offering life lessons by Dangerdust

Post-graduation inspiration
© Dangerdust

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Seeing Eye to Eye on London’s Street Art

by Sheron Long on June 16, 2014

Man using smart phone on bench next to wall with creative street art portraits. (Image © Sheron Long)

In London, the street scene changes depending on the artists and the actors.
photo © Sheron Long

Something Creative This Way Comes . . .

Don’t blink if you’re walking down the street in London’s Shoreditch neighborhood.  You could miss fresh street art and surprising street life.

Take the threesome above. Facebook man has spent so much time online that he turned blue. Does the same fate await the bench sitter with his smart phone, or will the mousey Cupid intervene? It’s a story about to happen in a restricted parking zone with cocktails.

And it comes with controversy. In fact, unsanctioned street art is illegal in London and often removed. Yet, the city itself has added perspex (plastic-like glass) over art by famous street artists, like Banksy, to preserve the works in recognition of their value.

Creative street art by a British street artist known as Banksy, showing a policeman walking a highly groomed poodle in front of a satirical sign that declares the area as one designated for graffiti and requires passersby to take their litter home. (Photo © Sheron Long.

An original Banksy in the artist’s signature stencil style with a satirical message.
Banksy developed his stenciling technique to tag walls quickly, thereby avoiding arrest.
His identity is unknown even after over 25 years of work.
photo © Sheron Long

Portrait of a Street Artist

Just the names of some street artists—Invader, RUN, Dscreet, Broken Fingaz Crew—suggest the stealth of the craft. Working quickly, often with cans of spraypaint, some street artists tag space without permission.

Head of a skeleton with red heart-shaped eyes done illegally in spray paint by a creative street artist. (Photo © Sheron Long)

Oh! What lovely eyes you have, my dear!
photo © Sheron Long

Street artists who ask permission may get it, but often without payment for even complicated works with bedroom eyes.

Woman's portrait painted for free on the doors of a bar by a creative street artist. (Photo © Sheron Long)

Bar beautification, color-coordinated and all for free
photo © Sheron Long

Whether painted illegally or legally through permission or by commission, amazing portraits grace the streets of Shoreditch. Walking tours, like those by Street Art London, take you face-to-face with these portraits.

Conor Harrington of Cork, Ireland, began as a graffiti writer at age 14. After formal art study in college, he now paints indoor and outdoor works that combine his graffiti roots and fine art training. After many successful exhibitions, he says, “I wouldn’t be doing what I’m doing now if I hadn’t painted on the streets. Simple.”

Commissioned portrait on the door of Tramshed, a Shoreditch restaurant by creative street artist and fine artist, Conor Harrington. (Photo © Sheron Long)

Commissioned portrait of a Napoleonic figure by Conor Harrington
on the door of Tramshed, a Shoreditch restaurant
photo © Sheron Long

El Mac (Miles “Mac” McGregor), inspired at a young age by classic European painters and Art Nouveau symbolists as well as the Chicano culture in his native Los Angeles, studied art independently. He uses a unique style in his street art, applying spraypaint to create a series of repeating contours with a ripple effect.

Portrait of a Mexican cowboy created in one evening by creative street artist, El Mac. (Photo © Sheron Long)

Portrait of a Mexican cowboy created in one evening by El Mac
photo © Sheron Long

Alexandre Farto from Portugal, known as VHILS, creates huge relief portraits from photographs, often of everyday people. He destroys to create, chiseling through layers of ads, plaster, brick, etc., to reveal the faces.

Relief portrait of a man by creative street artist VHILS (Alexandre Farto) chiseled into a Shoreditch wall. (Photo © Sheron Long)

Relief portrait by VHILS (Alexandre Farto) chiseled into a Shoreditch wall
photo © Sheron Long

The Face of a Neighborhood

Street art changes the nature of a neighborhood. Some say it defaces it; others say it gives the neighborhood its face, its character.

Street art also gives disenfranchised artists a voice and a place to showcase their talents when they cannot break into the limited space offered by galleries and museums.

Stik has been creating simple lonely-looking figures for about 15 years, during which he experienced ten years of homelessness. Can you find his figure amidst the pedestrian population of Shoreditch?

Large stick figure on a building at a busy Shoreditch intersection by creative street artist, Stik.  (Photo © Sheron Long)

Large stick figures by Stik began to be noticed in London in 2002
and are now in the art collections of several celebrities.
photo © Sheron Long

His figures have eyes but no other facial features. When you look at them, they look right back at you! Their simplicity (developed initially for speed to avoid arrest) captures body language that conveys complex emotions.

Simple and unassuming stick figure on a building in Shoreditch is from Stik, a creative street artist.  (Photo © Sheron Long)

Simple and unassuming stick figure from Stik is meant only to observe.
photo © Sheron Long

Stik sees street art as essential to a neighborhood in part because it is uncensored and it can spark dialog about issues that matter to its inhabitants.

Look closely and you’ll see the message in this urban art by Chilean-born Osch (Otto Schade), who trained as an architect and then turned his passion to painting. He now lives in London and adds his voice to the street art scene.

Creative street art in which a young child looks like he is picking fruit from a tree, but the fruit is really hand grenades. (Photo © Sheron Long)

A voice against war speaks up.
photo © Sheron Long

Ever-Changing Images

Because people and the concerns in a neighborhood are constantly changing, so is the street art. This wall started with a legal image of the wasp by Zadok of the Dead Leg Crew. The owner of the wall, who gave permission, was pleased with the image.

Creative street art showing a large, green wasp on a wall in Shoreditch. (Photo © Sheron Long)

This wasp landed legally on the wall, beautifying a busy intersection.
photo © Sheron Long

But tagging invites tagging and soon a portrait of Mother Earth appeared, created in a compatible style by Paul Don Smith, along with a geometric pattern by Endless.

Creative street art wall showing the additions by other artists of a wispy portrait, geometric patterns, and a modern illustration of a man as a faucet. (Photo © Sheron Long)

Enhancements emerged in the trail of the original wasp.
photo © Sheron Long

Then Smith stenciled in the man in a bowler hat (a sure tie to bankers) with a faucet on his head and a social commentary about the flow of money. When it comes to street art, change is, as written in the signature of one of the artists, endless.

Oh, I See

Just as street art is ever-changing, so are the views of it. Is street art vandalism? Does it give talent a chance to shine? How do you see it? Take our poll and check any statements with which you agree.

Poll SpacerPoll Spacer[polldaddy poll=8126540]

There may be more to creative street art than meets the eye. Check back in a week or so and see how many of you see eye to eye.

With many thanks to Karim at Street Art Tours for a fascinating walk through Shoreditch. Find more on the fleeting nature of street art and on interesting interactions of people and street art. 

Comment on this post below, or inspire insight with your own OIC Moment here.

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