Aug

Japanese Traditions in Yakushima Photography

by Meredith Mullins on August 1, 2016

Yakushima rainforest showing reverence for nature and Japanese traditions in photography. (Image © Kodo Chijiiwa.)

The primeval rainforest of Japan’s Yakushima Island
© Kodo Chijiiwa

Photographers Show Reverence for Nature, Beauty, and Time

Yakushima is an island in the North Pacific that seems to have its own spirit, its own magic. It is rich in Japanese traditions, as well as exceptional natural beauty—with its lush vegetation, wild coast, ancient trees, and proud mountains.

I had not heard of Yakushima, a UNESCO World Heritage Site, before wandering into a gallery at the famous Rencontres d’Arles—a massive annual photography event in southern France.

Thousands of photographs are presented at this summer festival, from vintage treasures to the trends of tomorrow. But there was something special about the collection of images from a group of Japanese (and Japan-inspired) photographers.

Swirling ocean near Yakushima island, showing Japanese traditions of reverence for nature. (Image © Antonin Borgeaud.)

The powerful forces of nature
© Antonin Borgeaud

The connection to nature was strong. The appreciation of beauty—both everyday and extraordinary—had deep roots. And the energy of earth, water, fire, wind, and sky was palpable.

The humility of the photographers was refreshing, as was their willingness to share the underlying philosophies that influence their work.

They had met through the Yakushima Photography Festival (YPF), a collective of French, American, and Japanese photographers who had all felt the spirit of Yakushima.

Each photographer has his or her own vision of Japan and Japanese traditions.

Meet Kodo, Miho, Antonin, Shizuka, and Satoru.

At the mercy of typhoon winds on Yakushima
© Kodo Chijiiwa

Kodo Chijiiwa

Kodo grew up on Yakushima and knows many of the secrets of its land and sea.

Kodo Chijiiwa
© Meredith Mullins

Living on an island, he also knows the power of typhoons and wanted to photograph the force of the winds on Yakushima.

He tried to stabilize his body and the camera; but, he explained, “The winds could control me as they wanted. So, I decided to express the sensation of my body being tossed around by making double exposures of the land and sea.”

These are photographs of sheer energy. We feel the force of nature.

Miho Suzuki

Simply put, Miho believes in beauty—in appreciating the trivial things in nature and daily life.

Beauty in everyday life
© Miho Suzuki

She was inspired by an excerpt from “Two Poems on the Rose” by Kitahara Hakushu that asked the question: why should we marvel at a single rose bloom?

Miho Suzuki, a photographer from the Yakushima Photography group, showing Japanese traditions and reverence for nature and beauty in her work. (Image © Meredith Mullins.)

Miho Suzuki
© Meredith Mullins

She dedicated her series of photographs to capturing something beautiful each day.

“I have captured the moments that took my breath away in my daily life,” Miho says.

The project is so personal that she doesn’t care if anyone else shares her sense of beauty. The vision is hers alone. These photographs—these memories— bring her happiness.

Antonin Borgeaud

Antonin is a Frenchman and co-founder of the Yakushima Photography Festival. His new series from Yakushima focuses on the lively personalities of the island—the macaques.

Making eye contact with a Yakushima Macaque
© Antonin Borgeaud

Antonin Borgeaud, photographer and co-founder of the Yakushima Photography Festival, focusing on Japanese traditions and reverence for nature. (Image © Meredith Mullins.)

Antonin Borgeaud
© Meredith Mullins

These old-world monkeys inhabit a small part of the island, indifferent to the presence of human visitors.

Antonin looked for the soul of each and presents a series of portraits where we are shown something of their curious personality.

Even though it is not recommended to make eye contact with a macaque (it’s a sign of aggression), the photographs clearly show a connection between subject and photographer.

Shizuka Sato

Shizuka Sato
© Meredith Mullins

Shizuka is sister and godmother to her younger brother Takuto.

She also named him, when her parents asked her to suggest a name. Her music class was studying conductor’s batons (called takuto in Japanese). She liked the sound of the word . . . and so did her parents.

Shizuka went away for a time, and when she returned home, she was surprised to see how quickly Takuto had grown. He was no longer a child. He was a young man.

Young man on bed by Shizuka Sato, showing Japanese traditions, reverence for nature, and passing of time. (Image © Shizuoka Sato.)

A time of transition—vanishing youth
© Shizuka Sato

Her photographs of Takuto tell a story of vanishing time—and deliver a nostalgic message that many things, including youth, are fleeting. The underlying message: Savor the moments.

Satoru Watanabe

Satoru’s stunning photography is born from Japanese traditions and respect for nature. He explains his influences:

“My grandmother was country-bred and prayed to everything. For her, kami-sama (the gods) was not something to seek forgiveness from, nor something that made wishes come true. Kami-sama was invisible, and yet worth folding her hands to.

Photograph of forest by Satoru Watanabe, showing Japanese traditions and reverence for nature. (Image © Satoru Watanabe.)

Kami-sama energy
© Satoru Watanabe

Satoru Watanabe, photographer from Yakushima Photography group who follows Japanese traditions and shows reverence for nature. (Image © Meredith Mullins.)

Satoru Watanabe
© Meredith Mullins

I can still hear her saying ‘Don’t make a wish to the gods. Just pray with folded hands.’

When I take walks in the forest up in the mountains, I believe the energy I felt was the same existence that my grandmother was folding her hands to—the gods in nature.

As I grow older, the frequencies in which I fold my hands increases, but even now, I never make a wish.”

Satoru doesn’t make wishes. He simply portrays the beauty and clarity of life in his photographs.

Bottle on table, a photograph by Satoru Watanabe showing Japanese traditions and reverence for nature. (Image © Satoru Watanabe.)

Reverence for beauty and simplicity
© Satoru Watanabe

Oh, I See

Da.Gasita book of Satoru Watanabe, following Japanese traditions and reverence for nature. (Image © Meredith Mullins.)

Da.gasita. Oh I See.
© Meredith Mullins

One of Satoru’s books is called Da.gasita. This phrase, In the Yonezawa dialect of Japanese, means “Oh I See.” The Japanese use the phrase often in conversation to let people know they have heard what’s being said and acknowledge its importance.

In wandering into the small gallery in Arles of this interesting group of photographers, I heard (and saw) what was being said. Da.gasita.

And my vision of Japanese traditions and my reverence for nature and beauty has been altered forever.

Arigatou Yakushima.

Sun reflection by Satoru Watanabe, showing Japanese traditions and reverence for nature. (Image © Meredith Mullins.)

Earth and sky
© Satoru Watanabe

For more information on the Yakushima Photography Festival, visit here.

For more information on the Rencontres d’Arles, visit here.

Comment on this post below, or inspire insight with your own OIC Moment here.

Meredith Mullins 2 Comments

Cultural Heritage & Traditions/Japan/The World's Photography

Jul

First, Dare to Be Wild

by Joyce McGreevy on July 25, 2016

The Art of Gardening to Save the World

A close-up prairie flower in Chicago's Lurie Garden reflects the trend toward wild gardening. Image © Joyce McGreevy

Up close, a wildflower is a world.
© Joyce McGreevy

Here’s what happens when landscape designers dare to be wild. Lavender hyssop, maroon prairie smoke, blue quamash, and frothy calamint run rampant in all directions. The work of creative problem solvers, wild gardening centers you in the heart of nature.

Native spiderwort flourish in Chicago's Lurie Garden, thanks to wild gardening. Image © Joyce McGreevy

Native spiderwort and wild grasses grow knee-high in Midwestern fields.
© Joyce McGreevy

A Wild Surprise

Now, look skyward. See the skyscrapers. You’re standing in the center of America’s third largest urban area. Welcome to Chicago, city of wild surprises.

Laurie Garden, Chicago, IL is the work of creative problem solvers who dare to be wild. Image © Joyce McGreevy

Meadows in an ultra-urban setting draw 4 million visitors
annually to Lurie Garden, Chicago.
© Joyce McGreevy

Wild in the City

The urban oasis of Lurie Garden is part of a cultural trend toward New Wave Planting. Inspired by wild gardening, this relaxed style makes plant design less controlled and geometric than conventional gardens.

As Lurie Garden expert Noel Kingsbury wrote in Planting: A New Perspective, “When people say they want some nature, what they usually mean is a particular vision of nature, one that looks nice, fitting in to a distinctly human-centered idea of what nature is or should look like…. The task for the gardener or designer is to create an enhanced nature… one that supports biodiversity and looks just a little bit wild.”

Wild Irish Dreams

Chicago is also where an Irish lawyer dreamed of wild gardens. Says Vivienne DeCourcy, “After 20 years in a Chicago high-rise, I craved the wild West Cork landscapes of my childhood summers.”

Lough Hyne, Co. Cork, Ireland inspires Vivienne DeCourcy, writer-director of DARE TO BE WILD. Image © Joyce McGreevy

Lough Hyne, Ireland’s first marine nature reserve. epitomizes
the beauty of wild nature in West Cork. © Joyce McGreevy

Meanwhile, she wrote 16 screenplays, each reflecting her longing to affirm the wild beauty of our fragile planet.

In 2004, DeCourcy returned to Baltimore—no, not in Maryland, but southwest Ireland, where the place-name originates. It’s an Anglicization of Baile Tí Mhóir, Irish for “town of the big house.”

DeCourcy’s home, nestled into a mountain that sweeps down to the sea, inspired visions of a wild garden that invited the outdoors in.

Vivienne DeCourcy's home in Ireland reflects her love of wild gardening. Image © Vivienne deCourcy

DeCourcy “pictured native plants articulated into the vast landscape of Roaring Water Bay . . .”
© Vivienne DeCourcy

Sunset above Roaring Waters Bay, Ireland, home of creative problem solver and filmmaker Vivienne DeCourcy (DARE TO BE WILD). mage © Vivienne deCourcy

“ . . . And a moated effect around the house that would light up the living room at sunset.”
© Vivienne DeCourcy

Tiny Seed, Big Screen

When DeCourcy finally found the one landscape designer who understood her vision, her dream of wild Irish gardens became a cinematic vision. The extraordinary life of designer Mary Reynolds inspired DeCourcy’s movie Dare to be Wild.

Irish landscape designer Mary Reynolds advocates for wild gardening . Image © Dara Craul/ Mary Reynolds

Self-described “reformed landscape designer” Mary Reynolds
urges gardeners to work with nature, not control it.
© Dara Craul/ Mary Reynolds

By the time production wrapped a decade later, it had involved several Academy Award winners: producer Sarah Johnson (Birdman), costume designer Consolata Boyle, and musicians Glen Hansard and Marketa Irglova (Once). Acclaimed Irish musician Colm Mac Con Iomaire composed the score.

Tom Hughes and Emma Greenwell star in Dare to Be Wild, a film written and directed by creative problem solver Vivienne deCourcy. Image © Vivienne deCourcy

Emma Greenwell and Tom Hughes portray Mary Reynolds and Christy Collard
in the upcoming independent film Dare to Be Wild.
Both images © Vivienne deCourcy

A love story based on true events, Dare to be Wild has more twists than a corkscrew hazel tree. Ranging from the green hills of Ireland to the arid mountains of Ethiopia, it centers around London’s famed Chelsea Flower Show.

The Olympics of Gardening

This isn’t just any garden show, but the Olympics of gardening. In 2002, Reynolds, unknown and unemployed, became the youngest person in history to win Chelsea’s coveted Gold Medal for garden design. Among the finalists Reynolds bested for the prize was HRH Prince Charles.

Reynold’s “Celtic Sanctuary” featured hundreds of wild plant species, a traditional drystone wall, monumental stone chairs, and a fire bowl–all of it transported to England and built in three weeks.

A Celtic Sanctuary scene from DARE TO BE WILD reflects the film's focus on wild gardening. Image © Vivienne DeCourcy

Recreated for the film Dare to Be Wild, Reynold’s “Celtic Sanctuary”
shook up design circles with its iconoclastic style.
© Vivienne DeCourcy

Now Reynolds and DeCourcy are on a mission to protect the planet. Reynolds has authored The Garden Awakening: Designs to Nurture Our Land and Ourselves. The wild gardening book became an overnight bestseller in the UK and, with advance screenings of Dare to Be Wild, was rapturously received in Japan.

Fans of Reynolds’ book include Jane Goodall—yes, that Jane Goodall:

Wild Buzz

Meanwhile, DeCourcy is generating buzz. As a passionate advocate for the bees that nurture wildflowers and food plants, she wants people to rethink the conventional culture of gardening.

Irish filmmaker and writer Vivienne deCourcy is a creative problem solver with a love of wild gardening. Image © Vivienne deCourcy/ Dr. Michael Sheehan

“We need to throw a lifeline to the wilderness,” says DeCourcy,
echoing a line from her screenplay.
© Vivienne DeCourcy/ Dr. Michael Sheehan

“Only by experiencing the wonder of wild nature locally can we appreciate what’s at stake and be moved to protect wild nature globally.”

One way to do this, she says, is to replace conventional lawns with clover.

“The typical lawn is a matte green desert that guzzles chemicals. It cannot support a single bee—a creature responsible for one in every three bites of food we take.”

But a clover lawn is a habitat, where nature’s balance can thrive. “It supports a myriad of pollinators, only needs mowing once a year, and, being chemical-free, presents no toxic downside.”

The grounds of Lismore Castle, Ireland showcase the beauty of wild gardening. Image © Joyce McGreevy

At Lismore Castle, Ireland, one of DeCourcy’s favorite gardens,
wildness receives a royal welcome.
© Joyce McGreevy

A Wild Idea

Suddenly, a smile lights DeCourcy’s face. “Imagine your clover lawn, then a hundred of them, and then thousands, and you can see how easily we could create a sanctuary for our friends the bees.”

“Oh, I see”: The seed of a wild idea can grow into gardens around the world.

DeCourcy and Reynold’s wild ideas took root in Ireland, spread to Ethiopia, and flourished in England and Japan. Now they inspire gardeners everywhere. That’s what happens when creative problem solvers dare to be wild.

See the trailer for Dare to Be Wild here. Follow it here.

Meet Reynolds here and discover her gardens here.

Explore Chicago’s Lurie Garden here.

Comment on this post below, or inspire insight with your own OIC Moment here.

Joyce McGreevy 1 Comment

Ireland/Nature Discovery/The World's Art & Design/USA

Jul

Sweet Dreams of Ice Cream and Primal Rhythms

by Meredith Mullins on July 18, 2016

Ingoma Nshya Drummers in Rwanda, breaking cultural barriers. (Image © Lex Fletcher.)

The unifying power of music
© Lex Fletcher

Conquering Cultural Barriers in Rwanda

An open-air truck bumps along the rutted streets of Butare, Rwanda. The beaming woman in the back broadcasts through a crackling microphone.

Hello. Hello. You are about to experience something new.

Do you want to have a good life?

Do you want your children to grow up healthy?

Sweet dreams. The answer to your prayers.

Ice cream.

If you’re old, it will make you young again.

Come and see the dreams of women.

Ice cream.

It will change your life.

Her words are true. The ice cream in this African town has changed lives.

Rwanda girl tastes ice cream, breaking cultural barriers. (Image courtesy of Liro Films.)

Sweet Dreams: The first taste of ice cream
Courtesy of Liro Films

The first ice cream shop in Rwanda, Inzozi Nziza (translated as “Sweet Dreams”), broke cultural barriers in many ways.

The shop changed lives not just by bringing the first taste of ice cream to Rwanda. It also deeply affected the lives of the cooperative of women who made these sweet dreams come true.

Hope and joy were leading characters in this moving story, documented in a film by siblings Rob and Lisa Fruchtman called “Sweet Dreams.”

Rwanda houses and countryside, a place where cultural barriers must be broken. (Image © Sloot/iStock.)

Rebuilding from the Horror of Genocide

In a country where the burden of the 1994 genocide touches everyone, the need for unity and reconciliation is critical to moving forward.

This need was felt deeply by Rwandan playwright/poet/musician Odile Gakire (“Kiki”) Katese. The country was slowly working through the rebuilding process. But, as Kiki noted, “People are not like roads and buildings. How do you rebuild a human being?”

Map of Rwanda, a country where women are breaking cultural barriers. (Image © bogdanserban.)

To help the healing process, Kiki called on music as a powerful universal force. She formed a drumming troupe—Ingoma Nshya (translated as “New Kingdom”).

She wanted to start a new chapter in Rwanda’s history, a new era. She brought together a group of women and challenged yet another cultural barrier.

Kiki Katese: Challenging cultural barriers. (Image courtesy of Liro Films.)

Kiki Katese: Challenging cultural barriers
Courtesy of Liro Films

Women had been forbidden to even touch the drums in Rwanda. Drumming was exclusively for men. But when Kiki asked why, she was told only that “drums were too heavy for women to carry.” Kiki’s response: “Okay, if it’s only because it’s heavy, let’s see how strong we are.”

The women proved their strength . . . and their ability to move beyond the past. They came from both sides of the genocide—Hutus and Tutsis. Many had lost Tutsi family members, friends and neighbors; and some had Hutu family members imprisoned for their role in the murders.

Rwanda women drummers, breaking cultural barriers. (Image © Lex Fletcher.)

“People have to reconcile with themselves, with happiness, with life,” Kiki suggests. When these women lose themselves in their drums, the past is forgiven. They come together as friends, as a unified rhythm—with obvious joy.

And Then There Was Ice Cream

Drumming began transforming the women’s lives. It gave them purpose . . . and pleasure. But there was more transformation to come.

Kiki believed that when you introduce one new idea, it creates the space for other new ideas. With that guiding philosophy, Kiki then met Alexis Miesen and Jennie Dundas, co-founders of Blue Marble Ice Cream in Brooklyn, New York.

Alexis Miesen and Jennie Dundas, founders of Blue Marble Ice Cream, breaking cultural barriers in Rwanda. (Image courtesy of Liro Films.)

Alexis Miesen and Jennie Dundas, Co-founders of Blue Marble Ice Cream
Courtesy of Liro Films

Kiki explained that she wanted to bring ice cream to Rwanda, and with it, an opportunity for members of the drumming troupe to become active in a small business.

A partnership was formed and the team rose to the challenges. They needed machines and furniture. They needed to find good local sources for milk, fresh fruit, and honey. They needed to learn the basics of business. They needed to select the shop staff from many members of the cooperative. They needed to set salaries and prices so that people in the town could afford this new treat.

Sweet Dreams manager and menu board, breaking cultural barriers in Rwanda. (Image courtesy of Liro Films.)

Building a business one item at a time
Courtesy of Liro Films

The processes were democratic. They even decided as a group the names for the sizes of ice cream—teta (baby) for small and nyshuti (friend) for medium.

The film documents the winding road, filled with obstacles. It culminates with the ultimate joy of success.

A dish of soft serve ice cream in Rwanda, breaking cultural barriers. (Image courtesy of Liro Films.)

A towering treasure
Courtesy of Liro Films

Ice cream arrives in Butare in all its sweet cream, passion fruit, strawberry, and pineapple glory. The curious townspeople overcome their trepidations and taste this new treasure.

“We’ve seen it in the movies, but we never had it in Rwanda before,” says one young man.

“It’s like eating hailstones,” says a more skeptical customer.

“Oh my god, give me more,” says a new fan, immediately falling prey to the velvety taste.

Rwanda drummers in front of Sweet Dreams ice cream shop, breaking cultural barriers. (Image courtesy of Liro Films.)

Opening Day in 2010—still a success six years later
Courtesy of Liro Films

Oh I See: The Path of Possibilities

Six years after the arrival of the new treat in Rwanda, a few more ice cream venues have appeared, but the women’s cooperative is keeping pace with the times. They now sell snacks, pizzas, juices, coffees, and teas to ensure their continued success.

The drumming troupe is performing near and far, with joy and passion.

The film “Sweet Dreams” has won awards and accolades around the world.

The rewards of this new era of breaking cultural barriers go beyond the obvious. The directors shared a moving moment after a screening of the film in Armenia when a woman in the audience stood tall and said, “This film is not just about Rwandan women. It’s about all of us.”

The final “Oh I see” moment comes in a quote from Kiki: “When you believe that something is possible, it’s done already.”

Yes, indeed, Rwanda. Give me more.

Find out more about the film “Sweet Dreams.” View the trailer below.

If video does not display, watch it here.

Find out more about Blue Marble Ice Cream and the nonprofit Hope Shines.