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A Tale Told by Idioms

by Meredith Mullins on May 6, 2019

Person in search of idioms, telling a story of proverbs and sayings. (Image © iStock/Borchee.)

An etymological quest
© iStock/Borchee

The Phases of Phrases: Proverbs and Sayings

Once upon a time there was a wandering etymologist—a true lover of language. She had been living high on the hog for many years, enjoying the materialistic pleasures of the world.

More often than not, she was three sheets to the wind. That was her choice at the time—so no crocodile tears need be shed for her. Someday, the world hoped, she would understand the importance of minding her Ps and Qs.

People would have categorized her as upper crust. But at an important life juncture, this lifestyle became tedious to her, more of a burden than a joy. She decided to start over with a clean slate—to live life a little more off the cuff.

Even though she was, what some might cruelly say “long in the tooth,” (and, by the way, she would have told those folks to put a sock in it), she felt a surge in her soul to wander. As she did, her quest became clear.

With each step of the journey, proverbs and sayings kept leaping into her walking meditations. “Oh, I see” moments were imminent. She knew she had purpose—a syntactic search to find the origins of the many idiomatic sayings that exist in the English language.

And so, she went forth with fervor, on a path as direct as the crow flies.

Here are a few of her favorites (all open to alternative theories) . . .

High on the Hog

High on the hog, which means to live with extravagance, is an idiom dating to the 1800s.

It was said that the best cuts of meat were from the upper part of the pig’s body. The wealthiest people feasted on cuts from the back and loin, while the poor learned to make the most of the knuckles, feet, and jowls.

Pig's feet demonstrating what the idiom high on the hog means, since proverbs and sayings tell interesting stories. (Image © Meredith Mullins.)

Times have changed. Pigs’ feet can become a favorite dish.
© Meredith Mullins

Three Sheets to the Wind

This saying —meaning drunk—comes from the world of sailing ships, and was first cited in novels of the 1800s.

The ropes on a ship, called “sheets” secure the lower corners of the sails. There are two (and possibly more) derivations for the phrase.

One suggests that if three sheets are loose at the bottom of the sail, the sail will flap wildly and the boat will lurch like a drunk.

A more technical derivation explains that, if the jibs (small sails) are sheeted to the wind (sideways to the wind), which is often done during a storm, the boat rolls wildly from side to side, out of control.

Either way, it’s a good description of ultimate inebriation.

Yacht sails and rigging demonstrating the idiom three sheets to the wind, one of the proverbs and sayings that is used often in the English language. (Image © iStock/Pi-lens.)

Have you ever been three sheets to the wind? Or four?
© iStock/Pi-lens

Crocodile Tears

The saying “crocodile tears” means an insincere expression of sorrow—a pretense of sympathy.

References appear as early as the 14th century and make literary appearances in Shakespeare and in the work of other writers throughout time.

The tears that you might see from a crocodile are not the result of emotion. Part of the myth of tears was linked to feeding. Crocodiles were observed crying after devouring something.

Would a crocodile weep for something it gobbled down? Unlikely. But their tear ducts were activated by feeding.

Also, crocodiles sunning themselves often keep their mouths open, which causes their tear glands to water.

Crocodile with a tear in its eye, showing the idiom of crocodile tears, one of the proverbs and sayings that is popular in the English language. (Image © iStock/Dikuch.)

A crocodile’s lament
© iStock/Dikuch

Mind Your Ps and Qs

This phrase has several possible derivations, but all agree that it means to mind your manners,  be polite, and be careful of your behavior.

The phrase could possible come from learning lowercase letters, since p’s and q’s are similar in form except for the placement of the descender.

However, the more common explanation comes from British pubs, where the bartenders kept an eye on how many pints or quarts were consumed. If drinkers became too unruly, the bartender would caution them to mind their Ps and Qs or they would be thrown out.

Beer glasses showing the idiom mind your Ps and Qs, one of the popular proverbs and sayings in the English language. (Image © Meredith Mullins.)

Cheers! But mind your Ps and Qs.
© Meredith Mullins

Upper Crust

Similar to “high on the hog” being the best part of the pig’s meat, one possible origin of this phrase was that the upper crust of bread was believed to be the best part of the bread loaf.

In 16th century Europe, servants were given the bottom of the loaf (often easily burned), the family was given the middle, and guests were given the top (upper crust).

Today, the phrase means upper class, aristocratic, and part of the highest social class.

Loaf of bread showing the idiom upper crust, one of the proverbs and sayings that is popular in the English language. (Image © Meredith Mullins.)

This loaf offers a mouth-watering upper crust.
© Meredith Mullins

Start Over with a Clean Slate

We might all relish an opportunity to start over with a clean slate—to begin again with no baggage and no remnants of the past to unduly influence our actions and thoughts.

One origin of the phrase was nautical (a common starting point for many idioms). A ship’s crew kept a slate tablet to record data during a watch. At the start of the next watch, the slate was wiped clean if there were no problems noted.

The phrase is sometimes also linked to a slate tablet kept by shopkeepers (long before computers), recording a person’s purchases on account. When the account was paid off, the slate was wiped clean.

A clean slate tablet showing the idiom of starting over with a clean slate, one of the popular proverbs and sayings in the English language. (Image © Meredith Mullins.)

Starting over with a clean slate is a helpful option.
© Meredith Mullins

Off the Cuff

“Off the Cuff” equates to spontaneity or unplanned actions. The phrase is said to have originated as public speakers made brief notes on their shirt cuffs to help them with their speeches (usually not in indelible ink).

Teleprompters have now taken the place of spontaneity in many circumstances, but a speech from the heart still takes the prize.

A shirt cuff with post-it notes, showing the idiom off the cuff, one of the popular proverbs and sayings in the English language. (Image © Meredith Mullins.)

A little help from our cuff friends (post-it notes save the shirt cuff)
© Meredith Mullins

Long in the Tooth

“Long in the tooth” is a visually dramatic (and a tad undiplomatic) way of saying getting old. The phrase comes from the equine world, where the age of a horse can be determined by checking its teeth. Since a horse’s gums recede with age, the longer the horse’s teeth appear, the older it is.

Etiquette hint: Don’t use this phrase if you want to remain friends with someone who is getting older.

Horse showing its teeth and showing the idiom long in the tooth, one of the popular proverbs and sayings in the English language. (Image © iStock/Treasurephoto.)

Who says I’m “long in the tooth”?
© iStock/Treasurephoto

Put a Sock in It

Sometimes we just don’t want to hear what someone is saying. This phrase basically means “be quiet,” or, more directly, “shut up.”

The phrase is said to have come from the old gramophone days (the early 1900s). Since the first gramophones didn’t have volume controls, the best way to lower the volume was to put a rolled up sock in the horn.

One could argue that putting a sock in the annoying speaker’s mouth would be equally efficient.

Vintage gramophone showing the idiom put a sock in it, one of the popular proverbs and sayings in the English language. (Image © iStock/Fergregory.)

How many socks does it take to lower the volume on an old gramophone?
© iStock/Fergregory

As the Crow Flies

The crow phrase is a popular one, still used often today. It means the most direct route. The saying originates from the early days of British sailing ships.

When a ship needed to get its bearings, a caged crow was released. Since crows aren’t that fond of water, the bird always flew straight toward the nearest land and provided a rough navigational setting.

However, captains beware. A crow does not always fly in a straight line. It often swirls and swoops in grand arcs.

A crow by water, showing the idiom as the crow flies, one of the popular proverbs and sayings from the English language. (Image © DMT.)

Which way will the crow fly?
© DMT

Although the origins of many proverbs and sayings have been proved to be just good storytelling—not at all based in fact—it is always fun to imagine idioms at their most entertaining. The English language offers a rich selection.

Comment on this post below, or inspire insight with your own OIC Moment here.

“Where Are the Women?”

by Joyce McGreevy on April 16, 2019

Shadow of a woman on stairs in a restorer's studio in Florence where Jane Adams of Advancing Women Artists is working to restore the hidden half of Italy's artistic heritage. (Image © by Joyce McGreevy)

At a restorer’s studio in Florence, art by Renaissance women emerges from the shadows.
© Joyce McGreevy

The Hidden Half of Florence, Italy’s Artistic Heritage

“First came the flood,” says Jane Adams. “Then came the flood of helpers.” A passionate builder of partnerships for Advancing Women Artists, Adams meets me at a café near the River Arno. The setting is picture-perfect: Florence, a 2,000-year-old city and the center of Italy’s artistic heritage.

In Florence, reflections of buildings in the Arno river that flooded in 1966 and threatened Italy's artistic heritage. (Image © by Joyce McGreevy)

Mirroring calm today, the River Arno turned deadly in 1966.
© Joyce McGreevy

But on November 4, 1966, the Arno surged over its banks with brutal ugliness, tearing the city in two. It killed 101 people, and inundated historic buildings to a depth of 22 feet.

By the time the water receded, it had deposited 600,000 tons of mud—one ton for everyone in the city. Slicked with motor oil, it swallowed up 14,000 treasures of Renaissance art.

In Florence, a flooded piazza in 1966 is a reminder of threats to Italy's artistic heritage. [image in the public domain]

A café in Florence, Italy, after the flood of 1966.

The Mud Angels

Almost immediately, volunteers showed up by the hundreds. In that pre-digital era, gli angeli del fango—“mud angels”converged on Florence from across Europe with astonishing speed. According to historian Richard Ivan Jobs, “even before soldiers arrived as part of the official government response, ‘the city was already in the hands of the young’.”

The painstaking work of restoring art began.

But the flood was not the only threat to Italy’s art, says Adams. Artworks by women had long been buried by neglect. For centuries, the hidden half of Florence’s artistic heritage was relegated to basements or incorrectly attributed to men.

Who would undo that damage?

Jane Fortune of Advancing Women Artists inspired worldwide support for the restoration of forgotten works by female Renaissance artists who are part of Italy's artistic heritage. (image by Advancing Women Artists Archives)

Jane Fortune’s book inspired the Emmy-winning documentary
Invisible Women
: Forgotten Artists of Florence
.
Photo courtesy of Advancing Women Artists

Florence’s Good Fortune

In 1967, a college student in Florence named Jane Fortune was heading home to her native Indiana. As Adams tells it, Fortune said to herself, I don’t know when, I don’t know how, but I will find a way to give something back to this city.

In 2005 she got her chance.

Returning to Florence as an art columnist, Fortune explored museums and was soon moved to wonder: Where are the women? Highly visible as subjects, they were rarely seen as artists.

The San Marco convent and museum in Florence that evokes the forgotten artists of the Italian Renaissance who are part of Italy's artistic heritage. [image in the public domain]

Something was hidden away in a corner of San Marco, Florence.

Then Fortune read about Plautilla Nelli.

The first-known female Renaissance painter,  Nelli had been wildly successful, an achievement made more remarkable by the fact that as a woman she could not study anatomy or join a guild. Nor was she a lady of leisure. The prioress of a convent, she taught classes, managed budgets, and met daily demands.

Yet Nelli became one of the few women included in Europe’s first major art-history book, Giorgio Vasari’s Lives of the Most Excellent Painters, Sculptors and Architects (1568).

As Vasari observed, “There were so many of [Nelli’s] paintings in the houses of gentlemen in Florence it would be tedious to mention them all.”

The masterpiece Lamentation with Saints by Plautilla Nelli shows why Advancing Women Artists is working in Florence to restore the hidden half of Italy's artistic heritage. [public domain image]

Praised for its raw grief, Nelli’s Lamentation with Saints almost vanished forever.

Searching for Nelli

Intrigued, Fortune sought  Nelli’s work, but only three paintings remained. When she tracked down one of them, it was a dark canvas streaked in dirt and infested with woodworm.

Fortune decided then and there to commit herself to the restoration of Nelli’s work.

Rosella Lari and Jane Adams view Plautilla Nelli's The Last Supper, an important work in Italy's artistic heritage that Advancing Women Artists is working to restore. (Image © by Joyce McGreevy)

The discovery of Nelli’s massive, highly personal Last Supper made global headlines.
© Joyce McGreevy

In the process, Fortune inspired a movement. As more people supported the effort, the number of artistic search-and-rescue missions grew.  In 2009, Fortune founded the Advancing Women Artists Foundation.

“Our aim is to create a connection between art lovers of the present and women artists of the past for everyone’s future,” says Adams.

It’s a mission that she and AWA director Linda Falcone have inherited from Fortune. “Indiana Jane,” as she was affectionately nicknamed by the Italian press, died of ovarian cancer in September 2018.

A Citizen of Florence

“What she did, she did in partnership,” says Adams. “It was for the sheer good of giving back something to Florence, bringing back to the forefront the hidden half of the Florentine Renaissance  heritage.”

Rosella Lari stands before Plautilla Nelli's The Last Supper, which she is restoring as part of Advancing Women Artists' efforts to illuminate the hidden half of Italy's artistic heritage. (Image © by Joyce McGreevy)

Rosella Lari has devoted four years to restoring Nelli’s Last Supper.
© Joyce McGreevy

The Art of Making Art Visible

Now Adams and Falcone are carrying that partnership forward, inviting us to practice the art of making women’s art visible.

Before-and-after details from Plautilla Nelli's The Last Supper reflect the painstaking efforts by Advancing Women Artists in Florence to restore the hidden half of Italy's artistic heritage. (Left: Image by Francesco Cacchiani for Advancing Women Artists; Right: Image © by Joyce McGreevy)

“Restoration is not re-creation,” says Adams of the painstaking process of
revealing original work.
L: Francesco Cacchiani for AWA / R: © Joyce McGreevy

AWA has restored 61 paintings and sculptures, published a dozen ground-breaking books, and identified 2,000 forgotten artworks. The foundation is building the world’s largest digital database of 15th- to 19th-century women artists.

Meanwhile, a painting once covered in dirt and infested with woodworm is nearing the final stages of restoration. When it goes on view in the Santa Maria Novella Museum, it will be the first time in 450 years that it has been publicly displayed.

Oh, I see: The hidden half of Florence, Italy’s artistic heritage is steadily coming to light.

Jane Adams, partnership relations director of Advancing Women Artists, is working in Florence to restore the hidden half of Italy's artistic heritage. (Image © by Joyce McGreevy)

Adams (above), Falcone, and donors from 19 countries are giving new visibility
to historic women artists.
© Joyce McGreevy

Join the worldwide effort to save women’s artwork here. Follow AWA here.

Explore Nelli’s Last Supper, the world’s largest painting by a female Renaissance artist here.

Comment on the post below. 

Memorable Moments: Haven’t You Heard?

by Your friends at OIC on April 8, 2019

Listen up.
© iStock

Sure, it’s the great writing pared with great visuals that keeps you coming back to share OIC Moments with us, but we don’t want to overlook the impact sounds can have on bringing ideas and experiences to life. So while our bloggers work on what they’ve got to say next, we wanted to give you a look (and a listen) back at some popular posts with audible contributions.

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