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French Idioms Pay Tribute to the Animal Kingdom

by Meredith Mullins on September 23, 2019

Don’t give your tongue to a cat. Why not?
© iStock/Maroznc

Becoming Bilingual: Don’t Give Your Tongue to a Cat

In the picturesque and poetic world of French idioms, the animal kingdom is well represented. Noah—and his ark—would be proud. Animals are key players in the proverbs and sayings of French culture.

Cats, lambs, sheep, ducks, dogs, elephants, wolves, chickens, cows, cockroaches, spiders, fish, rabbits, horses, rats, and giraffes all make an appearance.

Where do sheep fit in to French idioms?
© Meredith Mullins

Idioms can come from various parts of a culture—food, history, social traditions, sports, values—but many languages use animals as a basis for their idioms.

Animals have universal appeal. We are familiar with basic animal characteristics no matter what our culture of origin. For centuries, we humans have observed how animals act.

We know that busy bees could do the lion’s share of the work and be so dog tired that they’d have to take a cat nap.

Why Idioms?

Learning a second language is never easy. But you know you are developing a bilingual brain when you can introduce idioms into casual conversation. And understanding this omnipresent figurative language will also give you insight into how a culture thinks.

Do you have a spider on the ceiling . . . or bats in the belfry?
© iStock/Backiris

Idioms can, of course, drive you crazy—making you feel like you have bats in the belfry. Or, as the French would say, “to have a spider on the ceiling” (avoir une araignée au plafond).

The words—the metaphors— often don’t make sense at all, even to the native speakers.

Leave well enough alone. Don’t wake the sleeping cat.
© Meredith Mullins

The Cat’s Meow

Our feline friends win the idiom popularity competition in French. Cat references are everywhere.

When things are going well, English speakers say, “Let sleeping dogs lie,” while French speakers advise, “Don’t wake the sleeping cat” (ne réveillez pas le chat qui dort).

When you arrive at a place where you’re supposed to meet someone and there’s no one around, you say “there is no cat” (il n’y a pas un chat).

Where is everyone? Il n’y a pas un chat.
© Meredith Mullins

You don’t have a “frog in your throat,” you have a “cat in your throat” (avoir un chat dans la gorge).

When you have better things to do, it’s not that you “have other fish to fry,” it’s that you have other cats to flog (avoir d’autres chats à fouetter).

And, if you want to “give up” and just quit (perhaps because there are too many cat idioms?), you “give your tongue to a cat” (donner sa langue au chat).

He won’t “give his tongue to a cat” because he doesn’t like to quit.
© Meredith Mullins

A Medley of Animal Visuals

Many of the French idioms are similar to English idioms. Someone can be as sly as a fox (rusé comme un renard), stubborn as a mule (têtu comme une mule), or they can take the bull by the horns (prendre le taureau par les cornes).

Someone can be talkative as a magpie (bavard comme une pie), slow as a tortoise (lent comme une tortue), soft as a lamb (doux comme un agneau), or dumb as a donkey (bête comme un âne).

But several of the French idioms tell a poetic and mysterious story.

“Entre chien et loup” is the mystical time between light and darkness.
© iStock/twildlife

“Entre chien et loop” literally means “between the dog and the wolf.” However, the picture this paints is more enchanted than the literal translation.

The phrase refers to dusk, when the light is growing dim and the world is becoming more mystical. Your mind can play tricks about what you see. Are you looking at a dog or a wolf?

This time between the spectrum of light and darkness would be called “the witching hour” in English.

The French idiom “peigner la girafe” (to comb the giraffe) also presents a rich visual. It tells a story of a difficult task—a job that will be challenging and time consuming and will perhaps not yield any fruitful results.

How long does it take to comb TWO giraffes?
© Lauren Gezurian

And, if we find we are wasting time combing the giraffe—that is to say, our focus is wandering and we are straying from important work—the French would say “revenons à nos moutons.” Let’s get back to our sheepIn other words, let’s get back to business. Let’s stay on topic.

Minding the sheep is important. So . . . let’s get to the task at hand. “Revenons à nos moutons.”
© Meredith Mullins

In France, folks can sometimes be as bored as a dead rat (s’ennuyer comme un rat mort). And when people feel blue, they say “j’ai le cafard,” which literally means “I have the cockroach”— now that’s a depressing thought.

Idioms are a good way to describe emotions or to give advice in any language; but, as the French say—Une hirondelle ne fait pas le printemps (One swallow does not mean it’s spring.) That is to say, don’t make generalizations about a people or a culture without further research.

Don’t jump to conclusions: one swallow does not mean it’s spring.
© DMT

Now, let’s get back to our sheep. (Nous revenons à nos moutons). How to master idiomatic language and continue to build a bilingual brain.

Oh, I See. Mastering Idioms Is Challenging

I have never actually been told out loud that I speak French like a Spanish cow (parler français comme une vache espagnole), but I’m sure some of my French friends have thought it.

Please don’t tell me I speak French like a Spanish cow.
© iStock/Jorgefontestad

This insulting phrase is the French idiom for implying that a stumbling French language learner is still, well, stumbling, especially when it comes to idiomatic expressions, proverbs, and sayings.

Will I ever build a bilingual brain with a full range of French idioms? I would have to answer “When pigs fly,” which is the English idiom for “not a chance.” In French, I would say “when hens have teeth” (quand les poules auront des dents).

Quand les poules auront des dents. Does that really mean never?
© iStock/Shootingstar22

I am, however, secretly optimistic about my idiomatic progress. There are, in fact, rare species of hens that DO have teeth.

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Italy Without a Suitcase

by Joyce McGreevy on September 16, 2019

People gather at Caffe Cagliostro in the Italian Quarter, Dublin, Ireland, one of many Little Italy enclaves around the world that celebrate Italian culture. Image © Andrea Romano

Conversation flows at Caffe’ Cagliostro in Dublin’s Italian Quarter.
Ireland is home to 9,000 Irlandiani, Irish of Italian ancestry.
© Andrea Romano/ Caffè Cagliostro

Italian Culture, Around the Corner

Dreaming of Italy? It may be closer than you think. From 1880 to 1980, 15 million Italians migrated to other countries. Today, across five continents, over 60 neighborhoods claim the moniker Little Italy.

Several U.S. and Canadian cities boast a Little Italy. So do pockets of Australia, Brazil, and Mexico. There’s a Little Milano in Gothenburg, Sweden,  a Little Rome in Asmara, Eritrea, a Piccola Italia in Malindi, Kenya.

Oh, I see: Celebrating Italian culture is a global experience.

Italian TAYLOR-ing

In Chicagoland, a dozen Italian enclaves formed after 1850. The best known is West Taylor Street, historically Chicago’s largest community of mostly Southern Italians.

At Scafuri Bakery, employee Aria Davis beams as she serves macchiato and lemon ricotta cake.

“We’ve been here since 1904,” says Aria, 21, whose passion for Italian culture led her to live in Sardinia for a year.  She points to a vintage  family portrait above the counter.

“See how there’s almost an aura around one woman? That’s Annette Mategrano. She was absolutely amazing, a successful businesswoman back when that was uncommon.”

Staff at Scafuri Bakery take pride in the Italian culture of Chicago’s Little Italy, West Taylor Street. Image © Joyce McGreevy

Framed by images of the Scafuri-Mategrano family, co-workers Doriann, Aria, and Ben
share a love of Italian culture.
© Joyce McGreevy

Annette’s parents emigrated from Calabria, opened the bakery, and sustained it through tough times. During the Depression they gave away bread to families who couldn’t afford the 3-cent cost. In 1955, the torch passed to Annette. She also opened a restaurant, working double shifts until she retired—at 90. Today, great-nieces Michelle and Kelly continue her legacy.

Ron Onesti, Marie De Marinis, and Demond Moore help Chicagoans celebrate the Italian culture of Little Italy, West Taylor Street. Image © Joyce McGreevy

Faces of Little Italy (L to R): Director of Chicago’s Italian festivals, Ron Onesti was born on
Taylor Street. Marie De Marinis and  Demond Moore delight diners at Davanti Enoteca.
© Joyce McGreevy

When you’re around West Taylor Street, be sure to…

  • Buy  panini and  vini at Conte Di Savoia.
  • Eat pappardelle at the original Rosebud.
  • Sip lemon ice at Mario’s.

Where Pasta Meets Present

Two miles and many nostalgic decades away, lies “Heart of Italy,” known for its Tuscan families. In the 1900s, many new arrivals traded farming for farm-equipment factory work at McCormick Reaper, “McComio,” as Chicago’s Italians called it.

Today Heart of Italy still beats with pride. It’s a neighborhood where many have been friends since childhood, where locals share anecdotes that go back five generations.

Heart of Italy, Chicago draws diners to 24th and Oakley.
© Joyce McGreevy

You needn’t be Italian to feel like a local. At Ignotz Ristorante, owner Roger Wroblewski and bartender Candy Minx welcome you like a favorite cousin who’s here for the family reunion.

It’s one of those cozy places you could dine alone without feeling like a loner, a convivial joint where every story at the bar is worth remembering. Ask Roger about the night Frankie Avalon dropped by.

Roger Wroblewski is proud that Ignotz Ristorante celebrates Italian culture in Chicago’s Heart of Italy. Image © Joyce McGreevy

Like Heart of Italy, Ignotz is rooted in love of family, regard for the past,
and appreciation of everyday pleasures.
© Joyce McGreevy

Here, food is for eating, not Instagramming. Pastas are hearty and soul-satisfying. Well, as the Italians say, Esse nufesso qui dice male di macaroni: “Only an idiot speaks badly of macaroni.”

If you must go “keto,” tuck into Ignotz’s lemony, succulent chicken a la tippi. Then ditch the diet and dive into the chocolate spumoni.

To fall in love with Chicago’s Heart of Italy, be sure to…

Italia alla Francese 

In Montréal,  lively Petite-Italie combines the Québécois love of festival with a daily dose of  dolce vita.

Switching between French, Italian, and English is common practice in Petite-Italie.
© Joyce McGreevy

There’s something for everyone—music of the Italian Baroque, frescoes in a Romanesque church, summer cinema in the park, and the most authentic Italian food this side of l’Atlantico, from cinghiale (wild boar) to handmade pasta al nero di seppia infused with cuttlefish ink.

Backyards give way to grape arbors, flowers cascade from balconies, and the street scene hums. Soccer mania lives on at Bar Sportivo as do sociable games of bocce in Dante Park.

Food products at Milano, a grocery store in Petite-Italy, the Little Italy of Montréal, reflect its Italian culture. Image © Joyce McGreevy

Fruterie Milano, a sprawling Italian grocery, is a destination in itself.
© Joyce McGreevy

When visiting Montréal’s Petite-Italie, be sure to…

San Diego Serenissimo

In Southern California, la passeggiata, or pre-dinner stroll, begins  as the sun sets over San Diego Bay. Here, generations of Italians  once made their living on the sea.

Sailboats evoke the Italian families who made their living from the sea in San Diego, California, where Italian culture is celebrated in the city’s Little Italy. Image © SanDiego.org

Families from Sicily and Italy’s Riviera founded the fishing fleet and canning industry
that made San Diego the tuna capital of the West.
© Courtesy SanDiego.org

Today, Little Italy is a vibrant neighborhood with outdoor cafés, wineries, shops, and boutique hotels.

People line up at Filippi’s Pizza Grotto in San Diego’s Little Italy, a hub of Italian culture. Image © Joanne DiBona/ SanDiego.org

A fixture since 1950, the petite Filippi’s Pizza Grotto draws crowds in San Diego.
© Courtesy Joanne DiBona SanDiego.org

Piazza Della Famiglia is a gathering place for concerts and cultural events. Piazza Basilone and other San Diego piazze commemorate Italian-American history. Amici Park and Waterfront Park reflect the importance of beautiful public spaces to the Italian lifestyle. Little Italy Food Hall offers a variety of food stations, cooking demos, and wine tastings.

When you’re in San Diego’s Little Italy, be sure to…

E Tu?

Where is your Little Italy? San Francisco’s North Beach or Boston’s North End? Hidden in Clerkenwell, London or in Italian-influenced Malta? Is it molto Manhattan or completamente Bronx?

To share your hidden gems with the OIC community, just leave a  Comment and tell us why the Little Italy you like is so special.

Note:  The author accepted no freebies and is solely responsible for any pounds gained.

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Crossing Cultures To Tell A Story of Turmoil

by Meredith Mullins on September 9, 2019

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Environmental disaster in Ogoniland, Nigeria (2013)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

The World Is Screaming

The power of an image can be far reaching. A story can be told—or a message delivered— in even a single photograph.

And when a space is filled with images that have a common theme, the story becomes exponentially compelling.

This is the impact of photographer Philippe Chancel’s series “Datazone”—photographs made in remote and diverse corners of the world to reveal realities that we don’t ordinarily see. The interwoven essence becomes increasingly clear.

Damaged ship and house after earthquake and tsunami in Tohoku, Japan, part of the Datazone exhibit at the Rencontres d'Arles, using Chancel photographs and crossing cultures to deliver a message via documentary photography. (Image © Philippe Chancel. Courtesy of the artist and the Melanie Rio Fluency Gallery.)

The aftermath of natural disasters
Tohoku, Japan (2011)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

This series of images delivers the disturbing message that our planet and its inhabitants are in trouble.

Chancel is adept at crossing cultures to reveal the signs and symptoms of what Datazone Curator Michel Poivert calls a world in decline. “The world is screaming,” Poivert says. And we have to take notice.

Philippe Chancel’s Datazone at the Rencontres d’Arles
© Meredith Mullins

“Datazone” at the Rencontres d’Arles

The Datazone exhibit was one of the highlights of the 2019 Rencontres d’Arles photography festival. The images filled the cathedral-like Église des Frères Prêcheurs. The 16th century gothic space lent a symbolic importance to the visual storytelling.

Directional lines on the floor led to each of the countries represented, reminding us that the world’s problems are not isolated to a few “hot zones.” We are surrounded by turmoil.

Chancel includes 14 countries in the Datazone exhibit.
© Meredith Mullins

Chancel’s sensitive and thoughtful explorations from the past 15 years show us brutal dictatorships, environmental tragedies, the effects of climate change, war, natural disasters, and the dehumanizing effects of modernization.

French photographer Philippe Chancel
© Meredith Mullins

The Datazone exhibit includes 14 different sites, from Fukushima to Haiti, from Marseilles to Nigeria, from North Korea to Afghanistan, from Antarctica to the United Arab Emirates, from the West Bank in Israel to the Greece/Macedonia border. From Kazakhstan to South Africa. From the U.S. (Flint, Michigan) to India (Mumbai).

Marikana, South Africa (2012)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

The places were chosen by Chancel as areas in peril. They became part of his journey perhaps because of a specific disaster or social or political event. But they were often selected because the issues were off the main media’s radar or were insidious growths, moving slowly toward danger.

Dehumanizing modernization
Marseille, France (2017/2018)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

Moments of Truth

Once on site, Chancel chooses his photographic moments carefully. No clichés. No staging. No special effects. Just reality, which is sometimes subtle and sometimes dramatically direct. He shows us hidden truths.

In many scenes, Chancel shows us the future conjoined to the past. Skyscrapers mixed with barren desert land. Opulence and poverty in close proximity. High speed roads alongside well-trodden paths. Natural beauty overtaken by industrial disaster.

The past and future together
Abu Dhabi (2007)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

Chancel shows us not just the effects of war, but the change in life as a result of years of war. We are shown the compounds, surrounded by barbed wire, built to protect the rich warlords from attack . . . and the mercenaries who guard the concrete structures with Kalashnikovs.

Guarded compound in Kabul, Afghanistan (2012)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

He shows us the aftermath of natural disasters, such as the 2010 Haiti earthquake and the 2011 earthquake, tsunami, and nuclear reactor tragedy of the Tohoku region of Japan.

The photographs are not the immediate headline-grabbing scenes, but images that tell of the long struggles and hardships that follow such tragedies for years.

The people of Haiti continue their life after the devastating 2010 earthquake
(Port au Prince, Haiti, 2011).
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

He unveils the theater of a dictatorship that requires blind loyalty and enthusiastic support, as well as the growing international tendency to create border barricades to prevent the influx of refugees.

Theater or truth?
North Korea. Pyongyang (2013)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

In several series, he shows us how the pristine beauty of many places on earth is in jeopardy and how once thriving ecosystems have been destroyed.

We see the oil seeping into the life of the people of the Niger Delta from fractured pipelines, threatening the very existence of the farmers and fishermen of the area.

Oil-scarred land of the Niger Delta
Ogoniland, Nigeria (2013)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

And we sense the melting ice of Antarctica, once described by explorer Charcot as “a vast, magnificent city made from the purest marble”—a dream that he would like to keep dreaming. That collection of “towering amphitheaters and temples built by divine architects” is melting. Yes. Climate change is very real.

Melting majesty
Charcot Point, Antarctica (2017)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

Although the Datazone exhibit has ended, additional exhibits of the Rencontres d’Arles can be viewed until September 22. The Datazone work will next be shown at Paris Photo 2019 in the Grand Palais of Paris from November 7–10 at the Galerie Melanie Rio Fluency and can also be seen on Philippe Chancel’s website.

Contrasting realities
Abu Dhabi (2007/2011)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

Oh I See: A Wake-Up Call to the Planet

When Chancel’s images are taken as a whole collective—crossing cultures on so many continents—the future seems all too clear. This is a wake-up call to the world. The only question that remains is what shall we do . . .

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