Neil Harbisson, cyborg and artist, changing the world of senses.
© Dan Wilton/Red Bulletin

Neil Harbisson: Expanding the Boundaries of Creative Expression

He can hear a Picasso painting.

He can paint a Mozart serenade.

He stands for hours in a supermarket aisle listening to a symphony of rainbow-colored cleaning bottles.

He composes music from faces.

This is Neil Harbisson, human cyborg. His senses defy tradition. His creative expression is unique.

He was born to a colorless world, where, in his words, “the sky is always gray and television is still in black and white.”

But, because he believes that everyone should wish to perceive what they can’t perceive, he was driven to extend his sensory perception.

He wears a cybernetic eye—an “eyeborg”—that translates colors into sounds on a musical scale (and vice versa). Pretty cool.

His “Oh, I see moments” become “Oh, I hear moments” . . .  and beyond.

A world without vibrant blue sky and a hundred shades of spring green
© Meredith Mullins

A World in Black and White and Shades of Gray

What would it be like to spend your life seeing only black and white and a range of gray tones—to never know the blueness of an open sky or the multitude of greens that emerge as trees come alive in spring?

A new world
© Meredith Mullins

Neil was born with a rare color vision disorder that creates a gray-scale world. At first his parents thought he was just confused by the names of colors. Doctors thought he was colorblind. His classmates teased him when his socks didn’t match.

At age 11, he was officially diagnosed with achromatopsia. He could not see color at all.

The Eyeborg

Over time, he tried to make sense of color— to associate colors with people. For example, when someone talked about the color blue, he thought of a friend who was very brainy. He created his own world.

When he went on to study music in college, fate introduced him to cybernetics expert Adam Montandon. The result was a collaborative invention—the “eyeborg”— that would enable Neil to hear color.

The eyeborg translates “orange” into a musical note.
© Dan Wilton/Red Bulletin

The eyeborg translates light waves (colors) into sound waves, by linking each color to a note or frequency on the musical scale. A camera mounted on Neil’s head scans the colors in front of him and transmits the sound through a chip in the back of his head.

He had to memorize the names of colors and the frequencies associated with each hue, but eventually that became subliminal.

“When I started to dream in color, I felt the software and my brain had united,” he explains. “That’s when I called myself a cyborg.”

He grew more and more comfortable wearing the device on his head. He wore it everywhere—to sleep . . . and even in the shower.

As Harbisson says, “In the supermarket, the cleaning product aisle becomes a symphony.”
© Meredith Mullins

And, finally, he appeared on his passport photo complete with his headgear (after a battle with the British authorities, who don’t allow official photographs with electronic equipment). Neil convinced them that the eyeborg was a part of his body.

As advanced as the eyeborg is, Neil still has to plug himself in periodically to charge his antenna through a USB port at the back of his head. He looks forward to the day when he doesn’t have to depend on electricity. He hopes to use his own blood circulation to keep the device charged.

Time out for recharging
© Dan Wilton/Red Bulletin

Exploring Creative Frontiers

In a world of science fiction, robotic prowess, and Google Glass, Neil is an unexpected hero. He uses his new perceptions as creative power, breaking boundaries between sound and sight, art and science.

He is the ultimate listener—listening to art, his environment, and the people he meets.

“The way I perceive beauty has changed,” he admits. “When I look at someone, I hear their face. Someone might look beautiful but sound terrible.”

His taste in art has changed. Certain painters, like Rothko and Miró, produce very clear notes. Others produce clashing chords because of the colors they use.

He performs in concerts by playing the colors of the audience. He preempts review with this caveat, “The good thing about this is that if the concert doesn’t sound good it’s their fault, not my fault.”

He creates sound portraits, so that people can “hear” their faces. He’s also working on a sound portrait of Venice, with other cities to come.

Then, in a creative reversal of fortunes, he turns musical notes or frequencies into visual art. He paints Vivaldi, Bach, Beethoven, and Rachmaninov and creates visual impressions of famous speeches.

A sonochromatic painting of Mozart’s Queen of the Night
© Neil Harbisson

A Cyborg Gathers No Moss

Neil continues to push the boundaries with his work. Regular human color vision includes the visible spectrum of light. But, that’s not enough for a cyborg.

He has added both infrared and ultraviolet light to his audible wavelengths, giving him the advantage of being able to detect motion sensors and of knowing when it’s safe to sunbathe.

Neil used to dress to look good. Now he dresses to “sound” good.
© Dan Wilton/Red Bulletin

He has also created the Cyborg Foundation to help humans become cyborgs, to promote the use of cybernetics as part of the human body, and to defend cyborg rights.

“Life will be much more exciting when we stop creating applications for mobile phones and start creating them for our body,” Neil says.

Spoken like a true cyborg . . . and an artist who understands the value of extending the senses for unparalleled creative expression.

Photographs courtesy of The Cyborg Foundation and Dan Wilton/Red Bulletin.

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