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Cultural Traditions: Kushti Wrestling in India

by Meredith Mullins on July 15, 2019

The ancient art of Kushti wrestling
© Meredith Mullins

An Art “Of the Earth”

If you have run five miles, completed hundreds of pushups and squats, finished a long distance swim, and lifted a few sand bags and giant stones—all before your 6 am training session begins—you might have some of what it takes to become a Kushti wrestler.

You would also have to embrace the idea of showing your strength, endurance, and agility in a mud/clay pit that is the traditional sacred arena of this sport. This is gritty work . . . “of the earth.”

Grace, strength, agility, and endurance: a powerful combination
© Meredith Mullins

And you would, by the way, have to dedicate yourself to a life of discipline and austerity.

Does this sound appealing? Perhaps. Challenging? Definitely.

You would not find these tools at World Wrestling Entertainment (WWE) training.
© Meredith Mullins

The ancient art of Indian wrestling—called Kushti or Pehlwani—is a different approach to wrestling than the images that come to mind in America when “mud wrestling” is mentioned (bikini-clad mudwomen?).

It has more artistry than the WWE vision of superstars like Hulk Hogan or Dwayne “The Rock” Johnson throwing their opponents to the mat with a thud.

Kushti wrestling is about strength, stamina, and agility. But it is also a way of life connected to India’s cultural traditions.

A graceful dance of strength and strategy
© Meredith Mullins

The Philosophy of Kushti Wrestling

For thousands of years, the Kushti training centers in India, called akharas or akhadas, have attracted boys and men from all castes. It is one of the few places where everyone is equal.

Often, the call to be a wrestler is passed down from generation to generation. A boy as young as six can start training.

Early training for children who want a path to a better life
© Meredith Mullins

For some, it is a way out of poverty, a path to becoming a professional wrestler or securing a good job.

For some, it is a way to stay fit and take pride in the power of the body and a life of discipline.

For some, it is a way to pay tribute to the god Hanuman, the god of strength and energy.

The god Hanuman keeps watch over the akhara.
© Meredith Mullins

For all who are in training, it is not an easy life. The training is not just physical, but also requires discipline in all aspects of being. Alcohol, tobacco, drugs, and paan (beetle leaves that have psychoactive properties) are all forbidden.

The Kushti diet is restrictive and protein rich—almonds, milk, eggs, butter, fruit, vegetables, and sometimes mutton (although many wrestlers are vegetarian to further purify the body).

The Kushti diet must be rich in protein to support the physicality of the sport.
© Meredith Mullins

These kinds of foods are also expensive in India, which requires a real commitment from a Kushti wrestler (and often a “day job”).

Although it is not a requirement in the contemporary world of Kushti, most of the wrestlers are celibate, so that they can focus on the training. Many live in monastery-like space at the akharas. A simple life, with sleep at 8 pm.

Kushti training takes many forms.
© Meredith Mullins

The Training

Training begins early with a run, swim, and calisthenics. At the akhara, the training tools look like medieval weapons—all designed to build strength and flexibility.

Weapons or training tools? Only the Kushti wrestler knows for sure.
© Meredith Mullins

The heavy wooden clubs, called mugdars, build arm and shoulder muscles. The gada, a stone attached to a bamboo stick, is also a weapon of the god Hanuman. Although it is a muscle builder as well, it is intimidating just as it is. It can weigh from 10 to 130 pounds.

The gada can weigh up to 130 pounds—a tool that can definitely build upper body strength.
© Meredith Mullins

The nar is a hollow stone with a handle inside that gets lifted like an ancient trophy above the head.

None of these tools would be found in a modern gym, which makes the visual story of the akhara so rich with cultural traditions.

In addition, rope climbing, weightlifting, and work on the parallel bars are all part of the daily routine.

Rope climbing builds upper body strength.
© Meredith Mullins

The Wrestling

The rounds of Kushti in the hallowed pit begin at around 6 am, with wrestlers pairing off in practice rounds of about 25 minutes, under the watchful eye of their guru.

The arena is a spiritual place, and no one but the wrestlers are allowed in. The soil (from the banks of the Ganges) is mixed like a cake with Ayurvedic oils, buttermilk, turmeric, clay, ghee (butter), neem leaf, and red ochre.

The soil needs to be soft enough to avoid injury for the wrestlers.
© Meredith Mullins

Water is added to make sure the soil is soft enough to avoid injury to the wrestlers but gritty enough to give them traction in movement.

For the wrestlers, the soil is sacred. They begin their match by rubbing some on themselves and their opponent as a blessing. It is also thought to have healing properties.

The akhara soil has spiritual and healing powers.
© Meredith Mullins

No hitting, kicking, or slapping is allowed in Kushti. The goal is to take down the opponent and pin his shoulders and hips to the ground. There are no partial points, as in some forms of wrestling. It is all about the pin. Strength. Strategy. Agility. Endurance.

The akhara guru watches to give advice on technique.
© Meredith Mullins

After the morning training, the wrestlers often cool off in the soil and get an all-important body massage from fellow wrestlers or trainees.

A cold water shower after training
© Meredith Mullins

They then wash, brush their teeth with neem branches, and, more often than not, go off to work so that they can continue to support their quest as a modern-day warrior.

Brushing the teeth with neem tree branches
© Meredith Mullins

A Dying Heritage: The Somber “Oh, I See” Moment

Despite the graceful beauty and primal energy of Kushti wrestling—as well as its practice for nearly 3000 years—this art/sport is losing popularity among the young. Contemporary forms of wrestling and modern gyms are gaining ground.

The government also has reduced funding for Kushti akharas. The few remaining training centers are struggling to survive.

A dying heritage?
© Meredith Mullins

The spirituality and grace of Kushti raise it to levels beyond just a sport. It is a mysterious, unintentionally sensual dance, punctuated with feats of strength.

It is a way of life that incorporates mind, body, and spirit in the best possible way.

Guru Jwala Tiwari of the Siyaram Akhara
© Meredith Mullins

It is national heritage . . . on the brink of being lost forever.

I, for one, am hopeful that this cultural tradition lives on.

Thank you to Guru Jwala Tiwari of the Siyaram Akhara at Mullick Ghat in Kolkata and the gurus of the Cotton Street Akhara in Kolkata.

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Amazing Places in the World: The Kumbh Mela

by Meredith Mullins on February 25, 2019

Pilgrims on the main street of the 2019 Ardh Kumbh Mela in Praygraj, India, one of the amazing places in the world. (Image © Meredith Mullins.)

The 2019 Ardh Kumbh Mela in Prayagraj (Allahabad), India
© Meredith Mullins

Where Faith and Family Merge in Festival

Some travel opportunities are so rare and so provocative that their seductive siren’s song goes straight to the soul.

A total eclipse of the sun in Patagonia. A full moon at the Taj Mahal. Summiting Mount Everest (well, maybe, Base Camp). Running with the bulls in Pamplona. Finding the spiritual rhythm of the Camino de Santiago. The unending magnetism of amazing places in the world.

The only way to silence this call of adventure is to “just do it.”

Such was the song of the Ardh Kumbh Mela for me in India this month—the largest peaceful religious gathering of humans on Earth.

Kathputli: Traditions of Fire, Puppets, and Magic

by Meredith Mullins on April 17, 2017

A puppeteer performs for his family in the Kathputli Colony in Delhi, showing cultural encounters in the slums of India. (Image © Meredith Mullins.)

A handmade puppet dances for her puppeteer inside a Kathputli Colony jhuggi.
© Meredith Mullins

Cultural Encounters in the Slums of India

The labyrinthine streets lead from one palette of wild color to another—from carnival reds and yellows to candy pinks and lavenders to soothing blue and green pastels.

The stripes and flowers and polka dots of the freshly washed clothes that hang in every possible open space make the colors of the buildings even more festive.

Colorful buildings and hanging wash in the Kathputli Colony of Delhi, showing cultural encounters in the slums of India. (Image © Meredith Mullins.)

The Kathputli Colony in living color
© Meredith Mullins

Smells of curry and turmeric drift in the dusty air. And sounds of daily life and laughter create an uninterrupted soundtrack.

Cultural encounters in the Kathputli Colony in the Shadipur Depot area of west Delhi are filled with “Oh, I see” moments.

Girls of the Kathputli Colony in Delhi, showing cultural encounters in the slums of India. (Image © Meredith Mullins.)

A community filled with smiles
© Meredith Mullins

The Slum Truth

I thought I had a hint of what life is like in the slums of India—Delhi, Kolkata, and Mumbai. After all, I’ve seen films like Slumdog Millionaire and Lion and read books such as Behind the Beautiful Forevers and Midnight’s Children.

But, it was not until I had walked through the cramped alleys of Kathputli; shared tea in a puppeteer family’s one-room, dirt-and-concrete floor home; stepped gingerly over the rivulets of sewage and tangles of electrical wires; and played with the local children that I began to understand.

Colorful alley in the Kathputli Colony in Delhi, showing cultural encounters in the slums of India. (Image © Meredith Mullins.)

Electrical wires abound, but electricity is sporadic.
© Meredith Mullins

Oh I see. This is home . . . although it is not an easy existence. Electricity is sporadic, water must be carried from a distance, and the streets are littered with more trash than they should be.

Even with this backdrop of poverty, families are relatively happy here. There are plenty of smiles and laughter. There is artistry through almost every open door.

This is life. There is pride of place . . . and a spirit of family and community.

A home in the Kathputli Colony, with mother, son, and dog, showing cultural encounters in the slums of India. (Image © Meredith Mullins.)

Colorful, open-air homes
© Meredith Mullins

A Community of Street Artists

Two things make the Kathputli Colony unique—the past and the future.

This particular neighborhood has a long tradition as a home for street performers. Started in the 1950s by puppeteers from Rajasthan, the colony now has more than 3,000 families of magicians, fire breathers, snake charmers, musicians, acrobats, singers, dancers, rope walkers, and jugglers.

Men play cards in the street of the Kathputli Colony, showing cultural encounters in the slums of India. (Image © Meredith Mullins.)

Life in the streets
© Meredith Mullins

Outdoor life is common in India. At Kathputli, the residents work and play in the open courtyards and wider alleys, as well as and in their makeshift homes pieced together with wood, tin, tarp, mud, and brick.

They go out to perform, by day or by night, and return to the camaraderie of their families and friends and their colorful home life.

Fire breather in the Kathputli Colony, showing cultural encounters in the slums of India. (Image © Chester Ng.)

A fire breather at the colony
© Chester Ng 2016 (stylishpix@yahoo.com)

The community is friendly and welcoming. Even the children have a wonderful theatrical quality—in their poses, their colorful American brand-name hand-me-downs, their trendy hair styles, and their connection to visitors.

The time I spent wandering the Kathputli alleys was a traveler’s treasure (and a photographer’s dream).

Three children of the Kathputli Colony in the street, showing cultural encounters in the slums of India. (Image © Meredith Mullins.)

Setting trends in many ways
© Meredith Mullins

An Uncertain Future

This spirit of community made it even sadder to learn that the Kathputli families are being displaced from this colony.

As “progress” would have it, the land they have lived on for the past 60 years is now becoming prime real estate. At the same time, the government has pledged to eliminate slums.

A group of Kathputli Colony dwellers, showing cultural encounters in the slums of India. (Image © Meredith Mullins.)

The evolution of a camp
© Meredith Mullins

The original residents built a community out of a jungle on the edge of the city. They started with a camp and slowly made improvements to produce the village of jhuggis (makeshift dwellings) today.

However, as Delhi expanded, Kathputli became more central and is now even on a major metro line.

The government has given a contract to developers to develop the land, including commercial buildings as well as new homes in apartment blocks for the colony families.

The families will be relocated—first to a transit camp while new homes are constructed in multi-story buildings and ultimately to these new living units.

Two rows of transit camp units for the Kathputli Colony, showing how cultural encounters in the slums of India have led to displacement. (Image © Sanjuko Basu.)

The transit camp does not lend itself to the spirit of the Kathputli Colony.
© Sanjukta Basu

The colony is rightfully skeptical. Some have refused to leave their homes until they are promised the new homes via a court contract and are given some specific timelines for the new development.

Currently, it is unclear how long they must live in the transit camp, which seems more like a military camp than the colorful community of Kathputli.

The developers can’t begin the new construction until all the families have relocated to the transit camp. But those holding out have no faith that they will get a new house, and they want to be sure that the new housing works with their artistic lifestyle—with places to store their materials and performance areas to practice and share their arts.

Two girls hold hands at the Kathputli Colony in Delhi, showing cultural encounters in the slums of India. (Image © Meredith Mullins.)

A nostalgia for the ancestral homes
© Meredith Mullins

A Nostalgia for Traditions

While the redevelopment plan may be a good start to solving the issue of slum dwelling, there will be a lingering nostalgia when the colorful alleys and cultural encounters of Kathputli have become a sea of high-rise apartment buildings, and when the puppeteers and fire breathers are no longer gathering spontaneously in the streets to share their proud history of artistry.

Sometimes the path to “progress” leaves much to be desired.

A boy poses amidst the rubble of the Kathputli Colony, showing cultural encounters in the slums of India. (Image © Meredith Mullins.)

Kathputli style
© Meredith Mullins

For more information about the current Kathputli Colony relocation issues, read this article by independent journalist Sanjukta Basu in The First Post. OIC also thanks Ms. Basu for permission to use her photograph of the transit camp. Please also visit her website.

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