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D-Day Remembrances: The Invasion of Normandy 

by Meredith Mullins on June 6, 2019

Never Forget
© Meredith Mullins

Traveling through History: Five D-Day Stories

Traveling through the peaceful greenery of Normandy, it is hard to imagine a land once ravaged by WW II.

The rolling hills are dotted with flashes of white from the speckled Normande cows, famous for their cheese and butter; the statuesque stone church steeples in each town offer a comforting skyline; and the tiny winding roads are edged with towering hedges that once served to divide the farmers’ plots of land.

Today’s peaceful fields of Normandy
© Meredith Mullins

However, the memory of WW II is ever-present. The church steeples were observation towers and sniper posts. The hedgerows hid machine guns and mines. The fields were intentionally flooded by the Germans to make access more difficult for Allied forces.

Sainte-Marie-du-Mont in Normandy
© Meredith Mullins

It is impossible to escape the past—especially this year—the 75th anniversary of the D-Day landings and Operation Overlord. The Allied invasion of Normandy was the largest amphibious assault in history (five infantry divisions and three airborne divisions).

Plage des Sables d’Or (Golden Sands Beach)—known now as Omaha Beach since June 6, 1944
© Meredith Mullins

More than 150,000 soldiers from the U.S., the United Kingdom, and Canada stormed the beaches on June 6, 1944, supported by nearly 7,000 vessels (from battleships to landing barges) and 12,000 aircraft. It was a day that changed the world—a turning point in WW II.

A memorial at Utah Beach
© Meredith Mullins

In almost every town, there are reminders of the value of liberty and tributes to those who sacrificed in the name of freedom—from abandoned bunkers to memorial statues, from bomb craters to endless rows of grave markers, from bullet holes to beaches that will be called by their code names forever— Utah, Omaha, Gold, Juno, and Sword.

Remnants of WW II at Pointe du Hoc in Normandy
© Meredith Mullins

With stories of courage, films and photographs that bring war horrors vividly to life, and the humble words of the dwindling number of WW II veterans who gave so selflessly in combat, the memory of the Normandy landings lives on.

It is the sadness that comes with such sacrifice that inspired my travel mission—a pilgrimage to pay tribute to that important time in history.

Never forget.

The Bayeux War Cemetery: Their Name Liveth For Evermore
© Meredith Mullins

Oh I See: Five Stories to Remember

I traveled from Bayeux to Sainte-Marie-du-Mont to Sainte-Mère-Eglise to Pointe du Hoc, to the beaches, to Colleville-sur-Mer and the American Cemetery.

I came away with tales of heroism, a better understanding of the detailed military operations and the strategic planning of both German and Allied forces . . . and deeper feelings of grief.

The “Oh, I see” moments were many. Here are five of the most memorable stories.

A German bunker at Pointe du Hoc in Normandy
© Meredith Mullins

Operation Fortitude

Fake news was alive and well in WW II. The Allies’ element of surprise for the Normandy invasion was paramount, so they sent fake transmissions to mislead the Germans and carried out bombing raids in the Pas-de-Calais area in the spring of 1944 rather than near the beaches of Normandy. This deception plan was codenamed Operation Fortitude.

Radio transmissions could be intentionally deceptive (as in Operation Fortitude).
© Meredith Mullins

In the meantime, the Allies were training on the beaches of south England and preparing the strategies for the June bombing raids, for the paratrooper assaults to take control of the roads and bridges, and for the integrated amphibious landings.

The Paratroopers


“We will accept nothing less than full victory. Good luck. And let us all beseech the blessing of Almighty God upon this great and noble undertaking.”
—General Eisenhower

All the planning in the world couldn’t dictate the weather. The beach landings had to be done at dawn, during a full moon, and at low tide so that the landing barges wouldn’t be damaged by the German obstacles in the water.

Of the three targeted days (June 5, 6, and 7), a storm prohibited June 5. The weather improved, and June 6 was designated by General Eisenhower as D-Day. “OK. Let’s go,” was his command.

The planes dropping paratroopers in the early morning of June 6 were challenged by thick fog and German gunfire. Many of the jumpers landed far from their objectives—some in the fields strategically flooded by the Germans. Their job was to free the roads connecting the beaches, so that the Allied forces could continue their march from the sea, liberating the towns.

A replica of paratrooper John Steele landing on the Sainte-Mère-Eglise church steeple
on the morning of June 6, 1944.
© Meredith Mullins

The story of Sainte-Mère-Eglise was made famous (with a Hollywood touch of fiction) in the 1962 film “The Longest Day.” Because of the challenges for the paratroopers, several men of the Airborne divisions landed on the town church.

John Steele dangled from the steeple. Kenneth Russell was caught on a gargoyle. A third man, John Ray, landed on the ground by the church and was shot by a German soldier.

The German was about to shoot the hanging paratroopers when John Ray, just before dying, shot the German and saved the lives of Steele and Russell.

Today, a replica of John Steele dangles from the church (albeit on the wrong side).

The paratroopers of the 82nd and 101st Airborne divisions suffered significant casualties, but they did overcome the challenges and cleared the roads for the incoming infantry. Sainte-Mère-Eglise was the first French town to be liberated.

The cliffs at Pointe du Hoc
© Meredith Mullins

The Rangers

To help protect the Allied forces making the beach landings on June 6, six long-range German guns at Pointe du Hoc had to be destroyed. These guns had a range of 20 kilometers and could have easily targeted the Allied ships and barges as they came toward shore.

A bomb crater, with scattered pieces of bunker, at Pointe du Hoc
© Meredith Mullins

Constant bombing of Pointe du Hoc prior to the morning of June 6 created a scarred moonscape of craters, but aerial recognizance showed that the guns remained untouched. Their ultimate destruction was a job given to an elite U.S. Ranger Battalion.

The rangers landed on the narrow beach and began to scale the 100-foot cliffs, using ropes and rope ladders. They easily overtook the German garrison at the top, but realized that the guns shown on the aerial images were fake and that the real guns had been moved.

The real guns had been removed by the Germans and hidden inland.
© Meredith Mullins

Within a few hours, they found these guns inland, under the cover of an apple orchard, and destroyed them, but also met with German attackers trying to recapture their position.

After 48 hours of heavy fighting, the rangers were finally joined by reinforcements. Of the original 225 rangers, only 90 were still fit for action after the fight.

As President Ronald Reagan said in a 1984 speech at Pointe du Hoc, “These are the champions who helped free a continent, and these are the heroes who helped end a war.”

All those who gave service in WW II were heroes. The Rangers of Pointe du Hoc fought valiantly.
© Meredith Mullins (re-enactment for the 75th anniversary)

The Beaches

The Germans had built the “Atlantic Wall”—a coastal defense that stretched 3,000 miles across northern Europe with 12,000 bunkers, 5 million mines, and 300 large caliber guns.

Each of the five landing beaches was different. Utah beach was relatively flat.
© Meredith Mullins

The infantry landing on June 6 knew the battles would be fierce. They had thought that the advance bombers and paratroopers would lessen German resistance. This was true on most of the beaches, but Omaha beach is the story that most remember. The Germans were ready.

The landing barges could not come ashore, so the soldiers had to wade in to the beach, carrying gear weighing 80 to 100 pounds, made even heavier by the soaking seawater.

The first wave of soldiers took the brunt of the German fire. If they weren’t shot in the water, they became completely exposed targets on the long sandy beach, made even longer because of the low tide. No shelter. No protection.

Omaha Beach. No shelter. No protection. And the Germans were well positioned on the hills.
© Meredith Mullins

The Germans, positioned on the hills, fired machine guns nonstop. Their targets fell . . . in the sea and in the sand.

Survivors describe the scene as chaos . . . and death to a lot of good men. More than 1,000 soldiers were killed in the first few hours.

“Two sorts of people are going to stay on this beach, those who are dead and those who are going to die. Let’s get the hell out of here!”—Colonel George Taylor

Soon, the destroyers moved in close and began to provide support for the men on the beach as they advanced. A few groups began to gain ground and climb the hills. Miraculously, by midday, the Americans had gained control of the beach.

The real heroes
© Meredith Mullins

The Fallen

The D-Day war stories are many. The triumphs and tragedies of the invasion of Normandy are epic.

More than 9,000 U.S. soldiers died in action during the Normandy invasion. They lie in the American Cemetery in Colleville-sur-Mer.

The Bayeux War Cemetery honors more than 4,500 Commonwealth troops, as well as soldiers from other countries (including Germans).

More than 2,000 soldiers are in the Canadian cemetery in Bény-sur-Mer.

The civilian deaths were staggering also, with so much fire power coming from the air.

The American Cemetery in Colleville-sur-Mer
© Meredith Mullins

Traveling to the cemeteries, whether those of Allied forces or German forces, is a reminder of the real cost of war.

“That day as I was coming over in the landing craft, I said a prayer to myself, “If I come through this alive,” I said, “I will never forget the men I leave behind.”—Sergeant Ted Liska (veteran of WW II)

Their sacrifice should never be forgotten.

For more information about D-Day and the 75th anniversary, visit Normandy Tourism, D-Day Overlord, Airborne Museum at Sainte-Mère-Eglise, The Bayeux War Cemetery, and The American Cemetery.

Here are sites to visit, as well as a program of events.

See also the OIC Moments stories on the photographers of D-Day and the reenactment of an Allied military camp at Sainte-Marie-du-Mont.

Additional sources for this story: The Timeline Bloody Battlefields video, The Battle for Liberty (PUBLIHEBDOS SAS), and the paratroopers of Sainte-Mère-Eglise.

The veteran quote is take from Hilary Kaiser’s book WW II Voices.

Comment on this post below, or inspire insight with your own OIC Moment here.

A Monumental Race: The Eiffel Tower Vertical

by Meredith Mullins on March 18, 2019

Night shot of the Eiffel Tower, one of the amazing places on earth, for the Eiffel Tower Vertical race. (Image © Meredith Mullins.)

A hint of the moon on the night of the Eiffel Tower Vertical race
© Meredith Mullins

One of the Most Amazing Places in the World Rises to the Challenge

Remember those days as a child when you couldn’t help but run up stairs, two or three at a time.

You often didn’t know (or care) what you would find at the top. You were just excited to get there in a burst of energy, wrapped in the sheer joy of running.

That same exhilaration still exists. In Paris last week, running up stairs (two or three at a time) took center stage—during the 5th annual Eiffel Tower Vertical race.

La Verticale de la Tour Eiffel—one of the most challenging tower races in the world—made one of the most amazing places in the world even more thrilling.

Two runners at the 2019 Eiffel Tower Vertical race at one of the most amazing places on earth. (Image © Meredith Mullins.)

Moments of joy at La Verticale de la Tour Eiffel 2019
© Meredith Mullins

The Vertical Challenge

The race is legendary. Tower runners from all continents vie to participate.

Eiffel Tower in Paris, France, one of the most amazing places on earth, hosts the Eiffel Tower Vertical run 2019. (Image © Meredith Mulllins.)

The 1,665 steps of the Eiffel Tower become even more challenging on the night of the race.
© Meredith Mullins

The 1,665 steps, which gain 276 meters (three football fields) in altitude, make this one of the most difficult races in tower running—a vertical tour that includes such skyscrapers as One World Trade Center in New York (2,226 steps), the Lotte World Tower in Seoul (2,917 steps), the International Commerce Center in Hong Kong (2,120 steps), and the Jumeirah Emirates Towers in Dubai (1,334 steps).

International Commerce Center in Hong Kong , one of the tallest buildings and most amazing places in the world for tower runners who have participated in the Eiffel Tower Vertical. (Image © bpperry/iStock.)

Tower running reaches new heights, including the International Commerce Center in Hong Kong.
© bpperry/iStock

Only 130 runners were accepted into the Paris race this year—one runner for each year of the Eiffel Tower’s existence. (The Eiffel Tower was built in 1889 for the Universal Exposition. With just a bit of math calculation: In 2018, the race hosted 129 runners, and for 2020 . . . 131 runners.)

Of the 90 men and 40 women selected, 40 are elite runners, 80 are amateurs, and 10 are wild-card recipients.

Janet Goodwin, an entry in the Eiffel Tower Vertical race came to one of the amazing places in the world for this tower race. (Image © Meredith Mullins.)

Australian Janet Goodwin, a wild-card recipient and stair-climbing trainer,
flew 22 hours just for the race.
© Meredith Mullins

Jean-Charles Perrin—founder of La Verticale de la Tour Eiffel and EcoTrail International CEO—is rightfully proud. “There are tower races in many countries, but creating a race at such an iconic monument makes it special.”

The Eiffel Tower is the tallest structure in Paris and one of the most visited monuments on the planet. It took years of negotiations to bring the race to this historic tower.

Jean-Charles Perrin, founder of the Eiffel Tower Vertical race, at the Eiffel Tower, one of the most amazing places on earth. (Image © Meredith Mullins.)

Jean-Charles Perrin, the founder of La Verticale de la Tour Eiffel, cheers on the runners.
© Meredith Mullins

What also makes the Eiffel Tower so special are the unique challenges for the competitors. It’s the only tower race that is outside—open to the elements.

Add to that the complexity of spiral stairs (some so narrow that no runner can pass another), steps of varying sizes, and a combination of stairs and flat stretches—from one staircase to the next, from one floor to the next, or as runners move from the south pillar to the west pillar for the climb.

ECOTRAILORGA_CHRISTOPHEGUIARD_Laurent Vincente runs in the Eiffel Tower Vertical race at one of the most amazing places on earth. (Photo © EcoTrail Organization.)

French runner Laurent Vincente surrounded by the structure of “The Iron Lady”
Photo courtesy of the EcoTrail Organization

The stairs from the second to the third étage are not open to the public, so the runners have the unique privilege of climbing these stairs in the last leg of the race.

Oh, I see. This is one tough race. But the expansive view of Paris at the top is well worth the climb.

ECOTRAILORGA_CHRISTOPHEGUIARD, a woman running up stairs at the Eiffel Tower Vertical race at one of the amazing places on earth. (Image © EcoTrail Organization.)

Fighting for the reward at the top: a finish line with a view.
Photo courtesy of the EcoTrail Organization

A Dramatic History

The Eiffel Tower has the distinction of hosting the first-ever stair climbing race more than 100 years ago.

In 1905, a daily sports newspaper organized the “Stair Championship,” which attracted more than 300 participants to climb two levels of the Eiffel Tower (only 729 steps rather than the three levels and 1,665 steps of today).

Stairs of the Eiffel Tower in Paris, France, one of the most amazing places on earth and host to the Eiffel Tower Vertical race. (Image © Meredith Mullins.)

The Eiffel Tower stairs have always called to adventurers.
© Meredith Mullins

A magnet for daredevil activities, the Eiffel Tower also lays claim to the world’s oldest elephant trying to climb the stairs, athletes racing up the stairs on mountain bikes, people descending the stairs via wheelchair, and the inevitable illegal parachuting or bungie jumping from the tower.

The famous French high-wire artist, Philippe Petit, walked from the Palais de Chaillot to the second floor of the tower via tightrope in 1989 (to celebrate the 200thanniversary of the French Revolution).

Group of runners at the 2019 Eiffel Tower Vertical race at one of the most amazing places on earth. (Image © Meredith Mullins.)

Let the race begin!
© Meredith Mullins

2019: Under Eight Minutes!

This year’s story was no less dramatic. The good news was . . . it wasn’t raining. The bad news was . . . it was cold and the wind was fierce. The top of the Eiffel Tower was swaying.

The race was delayed by 30 minutes as the organizers waited for the wind to subside and debated whether to make this a “race to the middle” rather than a “race to the top.”

Not a chance. La Verticale de la Tour Eiffel is a race about summiting.

Runner #2 climbs the stairs of the Eiffel Tower Vertical at one of the most amazing places on earth. (Image © Meredith Mullins.)

It’s all about reaching the top.
© Meredith Mullins

Let the challenge begin.

The race is in time trial format, with a runner in the starting block every 30 or 60 seconds.

Runner checking watch at the 2019 Eiffel Tower Vertical race at one of the most amazing places on earth. (Image © Meredith Mullins.)

Keeping track of time in the race agains the clock
© Meredith Mullins

Support shouts of “Allez! Allez! Courage!”could be heard at every turn as, one by one, each of the 130 racers did their best to manage their breathing and overcome muscle pain, dizziness, and burning lungs to reach the top—a finish line with a view.

Piotr Lobodzinski, winner of the 2019 Eiffel Tower Vertical, rounds the corner at one of the most amazing places on earth—the Eiffel Tower. (Image © Meredith Mullins.)

Men’s winner Piotr Lobodzinski stays strong throughout the race, finishing in under eight minutes.
© Meredith Mullins

The 1st place winners of the 2019 Eiffel Tower Vertical were Piotr Lobodzinski from Poland (7:53:97) and Suzy Walsham from Australia (10:16:57). Not surprisingly, both are the reigning world champions in tower running. More results can be found here.

ECOTRAILORGA_ANTHONYCHAUMONTEL_VTE2019_Suzy Walsham running in the Eiffel Tower Vertical race at one of the most amazing places on earth. (Image courtesy of the EcoTrail Organization.)

Suzy Walsham’s focused race brought her another victory.
Photo courtesy of the EcoTrail Organization

They were pleased with their race, given the challenging conditions. And, as Piotr said when he received his award, he hopes, like fine wine, he will just get better with age.

It is certain that more amazing places in the world—the tall ones, especially—will continue to attract these super athletes. Congratulations to all.

The runners of the 2019 Eiffel Tower Vertical race at one of the most amazing places on earth. (Image © Meredith Mullins.)

Congratulations to all!
© Meredith Mullins

For more information about the Eiffel Tower Vertical, visit La Verticale de la Tour Eiffel website, the EcoTrail website, and the Towerrunning World Association website.

 Health Note: Research shows that climbing stairs has significant health benefits. You don’t have to enter The Eiffel Tower Vertical race, but if you take the stairs every now and then, you’ll be the beneficiary.

Comment on this post below, or inspire insight with your own OIC Moment here.

Everything is Pawssible at the Arles Photo Festival

by Meredith Mullins on July 23, 2018

[nopinit]

Casual, a photo by William Wegman in 2002, shown at the Rencontres d'Arles (Arles Photo Festival). (Image © William Wegman.)

Candy stars in Casual (2002)
© William Wegman (Courtesy of the artist)

William Wegman Makes Us Smile

What’s the best way to experience William Wegman’s “Being Human” exhibit at the 2018 Rencontres d’Arles (Arles Photo Festival)?

Spend time with Wegman’s original 20 x 24 Polaroid prints—but also take note of the faces of the visitors.

Everyone is smiling.

We’re smiling at dogs sporting festive wigs, or arching majestically on shapes of color, or agilely balancing things on their nose or head, or morphing into other animals like a giraffelant, or going about the daily tasks of living (with a surreptitious set of human hands).

We’re smiling at each of the 100 photographs displayed in this show, but we’re really smiling at ourselves as we make a connection to the fascinating world of being human.

We’re also amazed at just how creative Wegman has been in the nearly 50 years he has been photographing his beloved weimaraners.

Cut to Reveal, a photo by William Wegman at the Rencontres d'Arles (Arles Photo Festival). (Image © William Wegman.)

Batty stars in Cut to Reveal (1997)
© William Wegman (Courtesy of the artist)

With a retrospective such as “Being Human,” it becomes clear that Wegman continues to evolve and challenge himself (and his dogs)—with a unique blend of conceptual art and surrealism; a range of elements from cubism, color fields, masquerades, high fashion, theatrical costumes, eclectic furniture, and figure studies; and above all . . . humor.

In a world where the harsh realities of the planet are often a subtle (or not so subtle) presence in photographic images, these images give our spirit a chance to laugh.

Upside Downward, a photo by William Wegman at the Rencontres d'Arles (Arles Photo Festival). (Image © William Wegman.)

Penny stars in Upside Downward (2006)
© William Wegman (Courtesy of the artist)

No Underdogs Here

As the exhibit curator William Ewing notes in the book Being Human, Wegman explores many genres—photojournalism, astronomy, gastronomy, landscapes, seascapes, haute couture, theatre, opera, art trends, and metaphysical and difficult existential questions—all through the noble character and soulsearching pale eyes of his dogs.

“I’ve always thought of working with the dogs as parallel play. The dogs play their game and I play mine,” says Wegman in conversation with Ewing.

The canine cast of characters all like to play . . . and to work. The dogs want to be chosen to be photographed. In fact, they feel left out if they are not the center of attention on the set.

Sometimes Wegman has to pretend that everyone has a part, even when one dog is the focus. There’s no underdog here.

In the Wegman studio, every dog is a star. And every dog has his or her own talent and personality. Wegman is an expert at casting the right dog with the right creative vision. We get to know the character of Man Ray, Fay Ray, Chundo, Bettina (Batty), Crooky, Mazzy, Chip, Bobbin, Candy, Penny, Flo, and Topper.

Constructivism, a photo by William Wegman at the Rencontres d'Arles (Arles Photo Festival). (Image © William Wegman.)

Topper stars in Constructivism (2014)
© William Wegman (Courtesy of the artist)

In The Beginning There Was Man Ray

How did it all begin? The puppy Man Ray came into the picture (pun intended) while Wegman was teaching in California in 1970. Wegman’s artistic media up until that time had been drawing, painting, and video.

Man Ray made it clear that he wanted to be a part of the action, so Wegman began featuring him in photographs. He marveled at how Man Ray was transformed by the act of photographing him. “He became,” in Wegman’s words.

Man Ray was regal, confident, a leader of the pack. He emerged as the star of Wegman’s photographs, as well as videos. He even learned to spell.

If video does not display, watch it here.

The Dog Photographer

Although Wegman is sometimes called “the dog photographer” or is accused of being too anthropomorphic, his art moves well beyond any such categorization (although it’s hard to argue the anthropomorphism point when Man Ray was named “Man of the Year” by the Village Voice after he died).

The basic truth is that Wegman’s art is a tender collaboration between a human and humans’ best friends. The subject is not dogs. The subject is life.

George, a photo by William Wegman at the Rencontres d'Arles (Arles Photo Festival). (Image © William Wegman.)

Chundo stars in George (1997)
© William Wegman (Courtesy of the artist)

The portraiture is not unlike other humanists’ approach. The photographer works to show the deeper layers of the subject so that the viewer will be engaged in the story . . . in the discovery . . . in the exploration.

Wegman has the advantage that wiemaraners are hunting dogs and are inclined to stay still, as if pointing. However, he still must elicit the right emotions (although he admits that the wiemaraner expression is somewhat detached . . . similar to an elegant fashion model who is a bit above it all).

The Wegman techniques are slightly different from the average portrait photographer. How does he get his subjects to do what he wants?

Cat was a big word with many of my dogs,” Wegman says. “Ball has been an important word until recently, and Bone continues to be promising. But if you keep saying Bone and don’t deliver, the word crashes and you have to find another word.”

Cursive Display, a photo by William Wegman at the Rencontres d'Arles (Arles Photo Festival). (Image © William Wegman.)

Flo stars in Cursive Display (2013)
© William Wegman (Courtesy of the artist)

The Polaroid Era

Wegman’s style and vision changed in 1978 when Polaroid invited him to try out one of their few new 20 x 24 cameras.

The camera was the size of a refrigerator and weighed more than 400 pounds. Wegman had to go to the Polaroid studio (dogs, costumes, and props in hand) to create the photographs.

The camera dictated that he work in color, in a vertical format. He saw the images almost immediately after shooting, which enabled timely adjustments. And the images had all the quality advantages of a large-format camera.

Because of the size and immobility of the camera, he had to bring his subjects up to the level of the lens. There also was no post-shoot manipulation. The image was exactly as it was shot.

Later, he did go on location from time to time, hauling the camera in a truck (along with the Polaroid assistant).

Wegman worked with the Polaroid camera from 1979 to 2007, creating more than 15,000 images.

Knowing the challenges of this camera format makes seeing these Polaroid originals in the exhibit all the more thrilling. It becomes obvious how much work went into creating these complex stories and capturing the “decisive moment.”

As Wegman said in an interview, ““The lucky accident happens over and over again if you just spend time at it.”

After the end of the Polaroid era, Wegman moved to digital. Thus, he still has the benefit of seeing the image immediately so he can make adjustments.

However, because post-production is now a possibility, he must test the faith of his viewers to know he does not manipulate the images with Photoshop. He is still working in the Polaroid philosophy.

Feathered Footwear, a photo by William Wegman at the Rencontres d'Arles (Arles Photo Festival). (Image © William Wegman.)

Feathered Footwear (1999)
© William Wegman (Courtesy of the artist)

An “Oh I See” Pawsterity Moment

The axiom that photographing something you love brings you closer to that subject is certainly true for William Wegman.

An aboriginal saying is also true: Dogs make us human.

We come out of the “Being Human” exhibit feeling better about ourselves and our fellow beings. And we come out smiling.

 

Les Rencontres de la photographie d’Arles, exhibitions run from July 2 until September 23 2018, 34 Rue du Dr Fanton, 13200 Arles

The exhibit “Being Human,” curated by William Ewing is produced by the Foundation for the Exhibition of Photography, Minneapolis, in collaboration with the Rencontres d’Arles.

William Wegman’s work can be found at the Sperone Westwater Gallery in New York. His numerous books can be found on Amazon.

The new book “Being Human” in collaboration with William Ewing includes more than 300 photos, many of which have never been shown, and can be found here.

Comment on this post below, or inspire insight with your own OIC Moment here.

A bonus encore: Wegman’s famous Dog Duet.

If video does not display, watch it here.

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