Oh, I see! moments
Travel Cultures Language

Crossing Cultures To Tell A Story of Turmoil

by Meredith Mullins on September 9, 2019

[nopinit]

Environmental disaster in Ogoniland, Nigeria (2013)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

The World Is Screaming

The power of an image can be far reaching. A story can be told—or a message delivered— in even a single photograph.

And when a space is filled with images that have a common theme, the story becomes exponentially compelling.

This is the impact of photographer Philippe Chancel’s series “Datazone”—photographs made in remote and diverse corners of the world to reveal realities that we don’t ordinarily see. The interwoven essence becomes increasingly clear.

Damaged ship and house after earthquake and tsunami in Tohoku, Japan, part of the Datazone exhibit at the Rencontres d'Arles, using Chancel photographs and crossing cultures to deliver a message via documentary photography. (Image © Philippe Chancel. Courtesy of the artist and the Melanie Rio Fluency Gallery.)

The aftermath of natural disasters
Tohoku, Japan (2011)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

This series of images delivers the disturbing message that our planet and its inhabitants are in trouble.

Chancel is adept at crossing cultures to reveal the signs and symptoms of what Datazone Curator Michel Poivert calls a world in decline. “The world is screaming,” Poivert says. And we have to take notice.

Philippe Chancel’s Datazone at the Rencontres d’Arles
© Meredith Mullins

“Datazone” at the Rencontres d’Arles

The Datazone exhibit was one of the highlights of the 2019 Rencontres d’Arles photography festival. The images filled the cathedral-like Église des Frères Prêcheurs. The 16th century gothic space lent a symbolic importance to the visual storytelling.

Directional lines on the floor led to each of the countries represented, reminding us that the world’s problems are not isolated to a few “hot zones.” We are surrounded by turmoil.

Chancel includes 14 countries in the Datazone exhibit.
© Meredith Mullins

Chancel’s sensitive and thoughtful explorations from the past 15 years show us brutal dictatorships, environmental tragedies, the effects of climate change, war, natural disasters, and the dehumanizing effects of modernization.

French photographer Philippe Chancel
© Meredith Mullins

The Datazone exhibit includes 14 different sites, from Fukushima to Haiti, from Marseilles to Nigeria, from North Korea to Afghanistan, from Antarctica to the United Arab Emirates, from the West Bank in Israel to the Greece/Macedonia border. From Kazakhstan to South Africa. From the U.S. (Flint, Michigan) to India (Mumbai).

Marikana, South Africa (2012)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

The places were chosen by Chancel as areas in peril. They became part of his journey perhaps because of a specific disaster or social or political event. But they were often selected because the issues were off the main media’s radar or were insidious growths, moving slowly toward danger.

Dehumanizing modernization
Marseille, France (2017/2018)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

Moments of Truth

Once on site, Chancel chooses his photographic moments carefully. No clichés. No staging. No special effects. Just reality, which is sometimes subtle and sometimes dramatically direct. He shows us hidden truths.

In many scenes, Chancel shows us the future conjoined to the past. Skyscrapers mixed with barren desert land. Opulence and poverty in close proximity. High speed roads alongside well-trodden paths. Natural beauty overtaken by industrial disaster.

The past and future together
Abu Dhabi (2007)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

Chancel shows us not just the effects of war, but the change in life as a result of years of war. We are shown the compounds, surrounded by barbed wire, built to protect the rich warlords from attack . . . and the mercenaries who guard the concrete structures with Kalashnikovs.

Guarded compound in Kabul, Afghanistan (2012)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

He shows us the aftermath of natural disasters, such as the 2010 Haiti earthquake and the 2011 earthquake, tsunami, and nuclear reactor tragedy of the Tohoku region of Japan.

The photographs are not the immediate headline-grabbing scenes, but images that tell of the long struggles and hardships that follow such tragedies for years.

The people of Haiti continue their life after the devastating 2010 earthquake
(Port au Prince, Haiti, 2011).
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

He unveils the theater of a dictatorship that requires blind loyalty and enthusiastic support, as well as the growing international tendency to create border barricades to prevent the influx of refugees.

Theater or truth?
North Korea. Pyongyang (2013)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

In several series, he shows us how the pristine beauty of many places on earth is in jeopardy and how once thriving ecosystems have been destroyed.

We see the oil seeping into the life of the people of the Niger Delta from fractured pipelines, threatening the very existence of the farmers and fishermen of the area.

Oil-scarred land of the Niger Delta
Ogoniland, Nigeria (2013)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

And we sense the melting ice of Antarctica, once described by explorer Charcot as “a vast, magnificent city made from the purest marble”—a dream that he would like to keep dreaming. That collection of “towering amphitheaters and temples built by divine architects” is melting. Yes. Climate change is very real.

Melting majesty
Charcot Point, Antarctica (2017)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

Although the Datazone exhibit has ended, additional exhibits of the Rencontres d’Arles can be viewed until September 22. The Datazone work will next be shown at Paris Photo 2019 in the Grand Palais of Paris from November 7–10 at the Galerie Melanie Rio Fluency and can also be seen on Philippe Chancel’s website.

Contrasting realities
Abu Dhabi (2007/2011)
© Philippe Chancel. Courtesy of the artist and Galerie Melanie Rio Fluency.

Oh I See: A Wake-Up Call to the Planet

When Chancel’s images are taken as a whole collective—crossing cultures on so many continents—the future seems all too clear. This is a wake-up call to the world. The only question that remains is what shall we do . . .

Comment on this post below, or inspire insight with your own OIC Moment here.

Traveling the World Musically

by Joyce McGreevy on September 3, 2019

Headphones depicted in public street art in Evanston, Illinois evoked the idea of traveling the world musically. (Image © Joyce McGreevy)

The way we experience music can isolate or connect us.
© Joyce McGreevy (Public art in Evanston, IL by Jeff Zimmerman)

Harmonious Ways to Connect Across Cultures

Thanks to streaming technology, it’s easy to take music along when traveling the world. Headphones help shorten long flights, but it’s when we remove the headphones that we discover music’s true power. Mixing music with our itinerary and social interactions elevates travel experiences to whole new levels.

Oh I see: To connect across cultures, use a language we all understand—music. Here are suggestions for traveling the world musically.

Show Up and Sing!

I arrived in Montréal not knowing a soul. The next day, hundreds of my new best friends and I performed live in concert across Canada.

How did this opportunity to meet local music lovers come about?  Not by auditions—there weren’t any.

I simply showed up for Choir! Choir! Choir!, a Canadian singing group led by Nobu Adilman and Daveed Goldman.  “DaBu,” as they are affectionately known, travel the world hosting community choir performances.

Choir! Choir! Choir! Is a Canadian singing group that travels the world musically, connecting across cultures through community performances. (Image © 2019 Choir! Choir! Choir!)

“DaBu’s” approach is non-traditional. Just show up and they’ll teach you
an original arrangement to a song you love.
@ 2019 Choir! Choir! Choir!

In Montréal, we paid tribute to native son Leonard Cohen, live-streaming our performance of “Hallelujah” with choirs in Toronto, Vancouver, and Kingston.

To sing, sing, sing with Choir! Choir! Choir!, catch their world tour. They’ll be all over the U.S. starting this week. It’s a wonderful way to meet your neighbors, from around the corner or around the world.

See Choir! Choir! Choir!  here.

Attend High Caliber Artistic Concerts—Free

From LosAngeles to London, excellent free concert series abound. In Chicago, I found a series so sublime—the Dame Myra Hess Memorial Concerts—that you should probably just book your flight now. Photogenic architecture and free admission make this a travel trifecta.

Mark Riggleman of the International Music Foundation announces the Dame Myra Hess Memorial Concert, which connect musicians across cultures in Chicago. (Image © Riggleman family)

Mark Riggleman is Executive Director of the International Music Foundation, which
produces a highly popular Chicago concert series.
© Photo courtesy of the Riggleman family

“This an opportunity to hear rising talent from all over the country and around the world,” says Mark. “Our artists are all within five years of getting a degree and all are at the top of their game.”

Vetting is rigorous and performance standards are high. This is no mere recital of well-worn classical hits.

At the concert I attended, the standing ovation was rapturous for saxophonist Hyoung-Ryoul Kim and pianist Shin-Young Park. The South Korean artists had sent a thrill through the packed house with a program of contemporary works.

Musicians Shin-Young Park and Hyoung-Ryoul Kim show inspire the writer to travel the world musically. (Image © Joyce McGreevy)

Shin-Young Park and Hyoung-Ryoul Kim wowed the audience in Chicago.
© Joyce McGreevy

The venue, Chicago’s Cultural Center, combines incredible acoustics with turn-of-the-century splendor. Mosaic-embellished stairs lead up to Preston Bradley Hall, where the audience convenes under an architectural wonder, the world’s largest Tiffany dome.

The world’s largest Tiffany Dome at Chicago’s Cultural Center is one of the many attractions of traveling the world musically and connecting across cultures. (Image © Joyce McGreevy)

At Chicago’s Cultural Center, admission is free, but the music is pure gold.
© Joyce McGreevy

The series runs year-round, Wednesdays from 12:15 to 1:00 pm. Says Mark,  “It’s a short format, comfortable for people who work downtown and take a lunch hour. People in town visiting can come to the concert and go to lunch afterward.” (Tip: Meet local concert-goers at Toni Patisserie & Café.)

Reserve ahead, as seats fill quickly. Start here.

Can’t make it? Catch live radio broadcasts, watch the WFMT Facebook livestream, and subscribe to the podcast here.

Uncover Musical Secrets—in 440 Cities

One evening in London, Rafe Offer invited friends round to his flat for a low-key musical gathering. They sat on the floor listening to live music by Rafe’s friend Dave. Over time, such gatherings evolved into Sofar Sounds, a global music community that meets in unique and welcoming spaces.

A diverse audience gathers for a Sofar Sounds concert of international musicians in Montreal, Canada, proof that traveling the world musically connects cultures. (Image © Joyce McGreevy)

To keep gigs intimate, tickets operate on a low-price lottery system.
© Joyce McGreevy

An element of surprise adds to the magic. The exact address of the venue is not revealed until the day before the gig. The three musical acts remain a mystery right up until the moment of performance.

Afterwards, it’s all about conversation and community building as artists and audiences mingle.

To get closer to music at home and abroad, visit SofarSounds.

Simon Denizart of Canada and Kid Be Kid of Germany performing at a Sofar Sounds concert in Montreal, Canada reflect how traveling the world musically connects cultures. (Image © Joyce McGreevy)

Connecting across cultures, Simon Denizart of Montréal and Kid Be Kid
of Berlin duet on keyboard.
© Joyce McGreevy

Ask, Don’t “App”

Many travelers use music-recognition apps to identify world music they overhear in public, such as on café sound systems. Apps like Shazam and SoundHound operate as audio search engines, matching a music sample to its source. It’s one way to collect a playlist for your travel memories.

Better yet, ask the friendly local who’s sitting right next to you, humming along. It’s a natural icebreaker. Keep a pen and notepad handy to circumvent any language barriers.

Be Your Own Roadie!

Do you play an instrument? Consider it your musical passport and carry it everywhere. In many countries, socializing includes sharing music. Having songs at the ready lets you contribute and connect.

Just ask Rick Chelew. “For meeting people and making new friends, my Voyage Air folding guitar is even better than a cute dog. When I’m traveling solo,  it’s a great conversation-starter at parks, in pubs and outdoor cafes, even airports and bus stations.”

Rick Chelew, a musician from California in London, with his folding guitar, travels the world musically to connect across cultures. (Image © Joyce McGreevy)

The guitar folds & conversations unfold: Californian Rick Chelew travels the world musically.
© Joyce McGreevy

All Together Now!

When you travel the world musically, connecting across cultures becomes likelier, because you’re literally signaling attunement.  What better way to make the world a more harmonious place?

Can’t pack it? Find it! Public pianos are turning up in cities worldwide.
© Joyce McGreevy

Comment on the post below, or inspire insight with your own OIC Moment here.

Cultural Encounters with a Competitive Edge

by Meredith Mullins on August 12, 2019

Bullfrog who is part of one of the most bizarre competitions in the world and also a part of the cultural encounters of competitions around the world. (Image ©

Is this the celebrated jumping frog of Calaveras County?
© iStock/Stevelenzphoto

Five of the Most Fascinating Competitions in the World

Grab your frog, your worm, your spouse, your crying baby, your cheese-chasing outfit, your cherry pits, your cockroaches, and your mustache wax.

Let the games begin.

From Calaveras frog jumping, to British cheese chasing, to Japanese baby crying, to Finnish wife carrying, to Indian mustache competitions, it’s time for some competitive cultural encounters.

What is it that drives us to compete . . . besides that thrill of victory? And, more to the point, what is it that drives us to compete in competitions unique to our cultures?

Most competitors in these kinds of contests say the same thing: it’s just fun.

But it may also be the cultural connection. Often, the competition is part of a country’s traditions and customs, shared with pride.

We will leave cherry pit spitting, worm charming, and cockroach racing for another day and focus here on an OIC Moments introduction to five of the world’s most fascinating competitions.

Hip hop at its best
Courtesy of Frogtown

A Hip Hop Dream: The Calaveras Frog Jumping Competition

Mark Twain made this competition famous in his first well-known short story, “The Celebrated Jumping Frog of Calaveras County,” based on a tale he heard in a bar in Angel’s Camp, California during the gold rush.

A bar bet was offered that the jumping frog “Dan’l Webster” could outjump any frog around. A city slicker visitor took the bet and, while Dan’l Webster’s owner went to get the city slicker a frog to compete, the visitor filled Dan’l Webster with buckshot.

When the race started, Dan’l Webster was, as Mark Twain described, “planted like a building.” He was so heavy he could not jump. So the city slicker’s frog won the race and the $40 bet.

Fast forward to the present, where, each May in Angel’s Camp (since 1928), the frog jumping competition continues (minus the buckshot).

Frogs, like current champion Rosie the Ribeter (holding the world record since 1986 of nearly 22 inches), Jumping Jack Flash, E. Davey Croakett, Springs, You Can Croak, San Francisco Warty Niners, and Will B Happening, compete to jump the farthest, cheered on and guided by their frog jockeys.

Slum Frog Millionaire may hold the record for the worst jump, says his frog jockey.
© Merita Callaway

The frogs rest at the “frog spa” until it’s their turn to race. Then they are placed on a small green faux lily pad. They must start with all four feet (including toes) on this “launch” pad.

The next three hops are what count, and must be completed within one minute.

The frog jockeys, naturally, want their frogs to jump in a straight line. However, frogs have their own idea about how, where, and when to hop, making the competition a bit unpredictable.

Some frogs just sit (an homage to Dan’l Webster?), even though their jockeys are yelling, pounding on the stage, and doing anything they can think of to motivate their frog.

How do you motivate a frog?
Courtesy of Frogtown

Some frogs place height rather than distance as a priority, and some make a good first jump but then zig zag or U-turn resulting in a short measurement or even a negative distance.

If a frog breaks Rosie the Ribeter’s world record, an additional $5,000 is part of the prize. However, no recent frog has come close to the 1986 record.

So . . .  search for that perfect frog from that secret place for the 2020 competition and begin the training regime. And don’t worry . . . be hoppy.

Don’t worry . . . be hoppy.
© Merita Callaway

Extreme Cheese

What better way to welcome spring than to tumble down a steep hill in pursuit of a wheel of Double Gloucester cheese?

The annual Cooper’s Hill Cheese-Rolling and Wake in the Gloucestershire, England countryside attracts locals as well as daredevils (or cheeselovers?) from around the world.

The competition, which is thought to have begun long ago as a pagan rite of spring, has been popular since the 1800s and was first mentioned in writing in 1826.

The thrill must be in the “journey,” not the “destination,” since no one ever catches the cheese. The Double Gloucester gets a head start and is heavy enough to reach speeds of up to 70 miles per hour.

Chasing the cheese on Cooper’s Hill
© iStock/Raylipscombe

The contestants, on the other hand, slide, stumble, dive, somersault, flip, fly, and bounce like rubber balls down Cooper’s Hill—like toy humans whose owners should know better than to hurl their breakable bodies down such a steep slope.

Every year, there are injuries such as fractured bones, bruises, sprains, dislocations, and torn muscles. But everyone seems to have a good time, in spite of the inherent danger. If it’s misty or raining (as it often is in the Cotswolds), the steep hill becomes even more challenging.

Not only do the competitors have to scramble down the hill in pursuit of the cheese, they have to claw their way up the hill to position themselves for the start of the race.

The competition is so wrought with injuries that the official competition was closed in 2010. The rogue competition continues.

If video does not display, watch it here.

The winner is awarded the wheel of Double Gloucester cheese—made by the same cheesemaker for the past 30+ years). (It is interesting to note that during WW II rationing, the competition used a wooden cheese with a tiny bit of real cheese in the center.)

What is the secret to success? As one of the past winners offered, “If you go fast from the beginning, the hill will do the rest.”

What seems to work best is a basic philosophy of reckless abandon.

The baby crying brings good health, according to Japanese tradition.
© iStock/Masaru123

Why Would You Want To Make a Baby Cry?

The Naki Sumo baby crying competition has the answer to why it’s not cruel to make a baby cry—and why a parent pays $150 to enter a baby in this competition.

In the case of this 400-year-old Japanese tradition, the baby’s cries ward off evil spirits as well as portending good health for the baby who breaks into tears first. (A rare instance where being good natured doesn’t count for much.)

The calm before the crying storm at the Sensoji Temple in Tokyo
© iStock/Nanostockk

The April competition takes place at several Japanese shrines, but the most famous event is at the Sensoji Temple in Tokyo.

Babies compete in pairs and are held by sumo wrestlers who are, on their own, some might say a bit scary. But it is up to the sumo referee to incorporate clever scare tactics to get the babies to cry.

The referee can wear a mask (often the bird demon tengu), can shout, or can just yell Nake Nake (Cry! Cry!).

The first baby to cry is the winner. If the babies cry at the same time, the loudest crier is the winner.

If video does not display, watch it here.

Strength and Endurance in Wife Carrying

Some competitors in the Wife-Carrying Competition seem to think its Finnish origin is because, after a long dark winter, people just want to go a bit crazy.

Wife Carrying gains popularity.
© Nick Lambert/Sunday River Resort

Others believe the tradition of Wife Carrying has deep roots in local history. In the Finnish legend, “Ronkainen the Robber,” a gang of men pillage villages and carry the women off on their backs to marry them.

Today, in Sonkajärvi, Finland, the Wife-Carrying Competition takes place on a 278-yard obstacle course that is said to be the distance needed to be safe from these pursuers of yore.

The man carries the woman through the course on a sand track with several obstacles, including waist-high water.

A challenging obstacle course makes wife carrying more difficult than you might think.
© Nick Lambert/Sunday River Resort

The woman doesn’t have to be the wife of the man. The man can convince his wife, “steal a wife” (or so say the organizers), or select any woman who is willing to be carried through an obstacle course on his back.

The woman must be at least 18 years of age and weigh at least 108 pounds (although these rules may differ depending on the country of the competition). Some competitions require helmets for the women; some do not.

The winner receives the trophy, as well as the “wife’s” weight in beer. Awards are also given to the most entertaining couple, the best costume, and the strongest carrier.

Wife Carrying is gaining popularity around the world. Competitions are also held in North America, Poland, Australia, China, and England.

Mustache competition contenders
© Meredith Mullins

Mustache Magnificence

There are mustache and beard competitions around the world, where categories like most creative beard, most realistic mustache, most Dali-esque mustache, best Fu Manchu, best sideburns, and fullest beard are in the spotlight. Countries vie to be the next facial hair leader.

For a different kind of contest, we travel to India and the mustache competition at the Pushkar Camel Fair, where length, creativity, and volume are the focus of attention.

Men grow their mustaches for years in anticipation of entering the competition. They arrive with their mustaches tightly coiled or carefully woven, so that they can unfurl them dramatically for the crowds.

A winner
© Meredith Mullins

Some swing their mustaches like lassos. Some raise their arms triumphantly, mustache ends in each hand. Some just strut and smile because they know their mustaches are enviable. They don’t need to win a prize to tell them that.

Each year that these unique competitions occur, they become more embedded in the culture’s customs and traditions. Yes, everyone is there to have fun, but they’re also part of a cultural encounter, which gives them further insight into the country’s traditions. And that makes the competitions even more meaningful.

To prepare for next year’s fascinating competitions:

Calaveras Frog Jumping at Frogtown in Angel’s Camp: May 14-17, 2020

Cooper’s Hill Cheese-Rolling and Wake in Gloucestershire, England: May 25, 2020

Baby Crying Competition in Tokyo, Japan: April 26, 2020 (Of course to enter this one, you have to have a baby born in 2019.)

Wife Carrying Competition in Finland: July 2020

Wife Carrying Competition in North America: October 12, 2019, Sunday River Resort

Pushkar Camel Fair in India: November 4-12, 2019

Comment on this post below, or inspire insight with your own OIC Moment here.

Copyright © 2011-2025 OIC Books   |   All Rights Reserved   |   Privacy Policy