Oh, I see! moments
Travel Cultures Language

The Art of Light: Fête des Lumières

by Meredith Mullins on December 8, 2014

Lyon Hotel de Ville during Fête des Lumières, light installations that show the art of light (Photograph © Meredith Mullins)

The Lyon Hôtel de Ville (City Hall) is transformed through the art of light.
Lighting Design by Gilbert Coudène & Etienne Guiol
Photograph © Meredith Mullins

The Illuminating Light Installations of Lyon

As soon as darkness falls, electricity pulses through the city. More than 70 light installations come to life, and thousands of revelers buzz in the streets. Energy is everywhere.

Creative Thinking Busts 5 Myths About Public Parks

by Bruce Goldstone on April 14, 2014

A park caravan, illustrating how creative thinking can redefine public parks. (Image © Kevin Van Braak)

This portable park can park almost anywhere.
© Kevin van Braak

Redefining Parks and Other Public Spaces

Sunny day in central park, illustrating a model for public parks that creative thinking is expanding. (Image © Songquan Deng/Shutterstock)

A picture perfect park,
but not all parks have to look like this
© Songquan Deng/Shutterstock

After a long winter, public parks are once again greening up. On the first nice day, they beckon city dwellers to gather, relax, and play.

The model city park offers a grassy lawn, cozy benches, ballfields, and meandering paths.

But creative thinking is redefining what city parks can and will be. And the innovative projects that result have shattered these five common myths about what makes a park a park.

Myth #1: Parks Have to Be on the Ground

For years, we all pretty much assumed that parks had to be on the ground. After all, parks need soil, and that’s where soil is found.

But then parks began to reach for higher ground.

High Line in New York City, illustrating how creative thinking has redefined public parks. (Image © pio3/Shutterstock)

Looking for the park? Look up!
© pio3/Shutterstock

The High Line in New York City has transformed about 1.5 miles of abandoned elevated freight rails into an aerial greenway.

The High Line in New York City, illustrating how creative thinking is redefining public parks. (Image © duckeesue/Shutterstock)

The High Line gardens highlight plants that self-seeded the rails
when they were abandoned.
© duckeesue/Shutterstock

Once considered an unsightly neighborhood blight, this long, narrow strip of park has changed how visitors think about parks.

The High Line is hugely popular with both locals and visitors, offering unique city views. Even the bustling traffic below looks good when viewed from above.

Similar projects have reclaimed railways and routes around the world, including the Bloomingdale Line in Chicago, the Promenade Plantée in Paris, and the Parkland Walk in London.

But up isn’t the only direction parks can go. What about down?

An abandoned trolley terminal that might become a public park, illustrating how creative thinking is redefining public parks. (Image © TheLowline)

Will this abandoned trolley terminal in Brooklyn . . .
© TheLowline

Proposed design for The Lowline, illustrating how creative thinking is redefining public parks. (Image © TheLowline)

. . . become the world’s first underground park?
© TheLowline

Supporters of the Lowline hope to use solar technology to transform an empty terminal into an underground oasis.

Myth # 2: Parks Don’t Move

Once you build a park, it generally stays put. But some clever artists have developed mobile parks.

Designs like Kevin van Braak’s caravans put parks on the go. He thought outside the box by putting a park inside a box.

A mobile green caravan, illustrating how creative thinking can redefine public parks. (Image © Kevin van Braak.)

A portable park on wheels
© Kevin van Braak

Each traditional-looking camper is packed with surprises: artificial grass and flowers, trees, stuffed animals, and audio of bird sounds (see top picture). A barbecue makes this pocket park perfect for impromptu social gatherings wherever it stops.

Moving parks come in many sizes, too. This green-cycle, spotted on the streets of Chicago and photographed by artist Noah Scalin, brings a little bit of park with it wherever it goes.

A combination bike and lawn, illustrating how creative thinking can redefine public parks.

A pedal-powered park
© Noah Scalin

Myth #3: Parks Are Permanent

A park should be a forever thing, right? Not necessarily.

On Park(ing) Day each year, creative thinkers transform mundane parking spaces into temporary public parks. These mini-parks are designed to last for just a single day.

Park(ing) Day gardens, illustrating how creative thinking can redefine public parks. (Image © Rebar)

These parking spaces are for people, not cars.
© Rebar

Make your own plans now for this year’s event, which will take place on Friday, September 19th, 2014.

Myth #4: Green Spaces Have to Be Green

The grassy lawns and leafy trees of our mind’s-eye park may not make sense in every climate or situation.

Last fall, Container Park opened in downtown Las Vegas. Inspired by industrial shipping containers, the multi-purpose environment offers a combination of commerce and relaxation, including a huge 33-foot spiral slide for kids and their adults.

Container Park in downtown Las Vegas, illustrating how creative thinking can redefine public parks. (Image © Bruce Goldstone)

Extravagantly playful, Las Vegas’s newest park captures the city’s spirit.
© Bruce Goldstone

The park may lack greenery, but it does have green, in the form of a 55-foot metal praying mantis that shoots flames.  Designed by Kirk Jellum and Kristen Ulmer, this impressive insect first appeared at Burning Man, before it found a permanent home here.

Watch enthusiastic drummers bring the mantis to life at dusk.

If the video doesn’t display, watch it here.

Myth #5: Parks Are for Daytime

Speaking of parks and bugs, check out the giant spider by Louise Bourgeois lurking in a Tokyo park.

A Louise Bourgeois spider sculpture in a Tokyo park, illustrating how creative thinking can redefine public parks. (Image © Vincent St. Thomas/Shutterstock)

Curious beasts may seem to come alive in this Tokyo park at night.
© Vincent St. Thomas/Shutterstock

The spooky spider proves that sunlight isn’t an essential part of enjoying parks. In fact, many parks, like the Reserva Ecológica in Buenos Aires, host nighttime tours when the moon is full.

Nocturnal visits offer plenty of “Oh, I see” moments, though a lot of them don’t involve your eyes. As darkness takes away your vistas, it can also sharpen your attention to an astonishing variety of smells, sounds, and textures.

Putting Park Myths Out to Pasture

Nifty new notions have challenged stick-in-the-mud views of parks. If you Google “what is a park?” you’ll find this definition: “a large green area in town, used for recreation.”

Sounds great, Google, but kind of restrictive, isn’t it?

Because creative thinking has shown us that public parks don’t have to be large, or green, or stuck in the same spot of town all the time. Parks are really only limited by the vision and imagination of the people who think them up.

You can get involved, too! The Rails-to-Trails Conservancy, dedicated to transforming former rail lines into trailways for people, is one example of a group putting these innovative ideas into action. Sustainable Cities Collective is a great resource for news and information on green building and improving urban environments.

Comment on this post below, or inspire insight with your own OIC Moment here.

Brought Into the Fold of Robert Lang’s Origami

by Janine Boylan on March 17, 2014

Peace Flight origami sculpture, showing the creative process of Robert Lang (Image © Robert Lang)

Peace Flight
Robert J. Lang and Kevin Box
Folded 2013; Composed 2013
cast stainless steel on stone; approx. 3′ x 2′ x 4′ on stone
© Robert Lang

A Creative Process Governed by Math

Dr. Robert Lang can make paper cranes. But his origami cranes not only have feathered wings and three toes on each foot, they soar with life.

Origami artist Robert Lang engaged in his creative process. (Image © Robert Lang)

Origami artist Robert Lang
© Robert Lang

In 2001, this physicist/engineer left his successful science career to write a book about how to make your own designs for origami, the traditional Japanese art of folding paper.

Why the career change?

This obviously brilliant man, who has 50 patents awarded and pending on semiconductor lasers, optics, and integrated optoelectronics, had an “Oh, I see” moment:

There were plenty of other really good engineers and managers that could do whatever I could do as an engineer, but I felt like there were few people who could write this book. 

So he took a risk, left his job, and decided to see where it would take him.

Millions of folds later, he has found that origami continues to take him beyond what he could have imagined.

Koi, opus 425, origami sculpture, showing the creative process of Robert Lang (© Robert Lang)

Koi, opus 425
Folded: 2002; Composed: 2002
One uncut square; 15″
© Robert Lang

Lang’s work has appeared worldwide in both ads and art shows.

He works in the more traditional smaller origami size as well as life-size. He even works in currency. While much of his work is made from some sort of paper, he has collaborated with sculptor Kevin Box to render a number of his pieces in metal.

Dollar Camera, origami sculpture showing the creative process of Robert Lang. (Image © Robert Lang)

Dollar Camera
Folded: 2009; Composed: 2009
Two uncut one-dollar bills; 3″
© Robert Lang

The Math

When he switched careers, Lang admits at first he was worried that giving up engineering would mean giving up the mathematical work he loved so much. But, he says:

The math of origami is as interesting as engineering ever had been. The itch [to work with math] gets scratched as much by origami as it ever did by physics.

To make an origami figure, Lang goes through four steps:

  • He starts with the subject.
  • Then, he draws a tree figure (like a stick figure) of the basic shape.
  • Next, he creates a folded-paper base with flaps for the appendages.
  • Finally, he forms the specific shape into the model.
Diagram of the four-step creative process of origami design. (Image © Robert Lang)

Four-step process for origami design
© Robert Lang

The tree figure and the final shape are the easy parts. Creating the base is the hard part. That’s where math comes in.

The math of origami is about shapes and relationships and forms, not necessarily arithmetic. The folding pattern to create a flap (or leg or antennae) is based on a circle pattern. The smaller the flap, the smaller the circle (a quarter circle is the smallest amount of paper you need to make a flap).

If you know how to “pack” these circles, which represent the body parts, and fill the remaining paper with a mathematical crease pattern, you have an origami pattern—and have solved another math challenge.

Stag Beetle BP, opus 477, origami showing the creative process of Robert Lang. (Image © Robert Lang)

Stag Beetle BP, opus 477
Folded: 2005; Composed: 2005
One uncut square of Origamido paper; 5″
© Robert Lang

Solving Puzzles

A passionate scientist, Lang sees every origami design as a puzzle to be solved, especially the ones he does for artistic purposes.

His deep plunge into understanding the math behind his work has helped him create figures one could never imagine would evolve from a single flat piece of paper. Lang explains:

What is possible in origami is defined by the mathematical properties of a folded sheet of paper; if you understand the math, you can use it to create a lot of forms that you probably wouldn’t have discovered just by intuition.

Sure, there are some challenging projects Lang has begun that are not done yet. And that’s how he sees it—they aren’t failures; they are just not done yet. He feels that nothing is impossible since he is always learning new techniques and approaches.

Siam origami sculpture, showing the creative process of Robert Lang (Image © Robert Lang)

Siam
by Robert J. Lang and Kevin Box
Folded: 2012; Composed: 2002
cast bronze, silver nitrate patina; 10″ x 8″ x 6″
Selby Fleetwood Gallery
© Robert Lang

What’s the Point?

Origami is wondrous, but it’s also useful. Lang explains:

Problems that you solve to create something beautiful turn out to have an application in the real world.

Scientists needed to get a football-field-sized lens into space, but it had to be carried on a spacecraft. What inspired their design? Origami.

Doctors had the idea of placing a stent in a human artery, but it had to be tiny to get to its destination. What inspired their design? Origami.

Squaring the Circle origami by Robert Lang, showing creative expression. (Image © Robert Lang)

Squaring the Circle, opus 596
Folded: 2009; Composed: 2006
One uncut irregular sheet of Japanese paper; 12″
© Robert Lang

Engineers wanted to put inflatable, expanding air bags in cars for emergencies. What inspired their design? You get the idea. . .

Sharing the Lessons

Lang seems to be as passionate about teaching origami technique as he is about creating the designs. A natural teacher, Lang makes the math behind folding circle patterns to create flaps simple and logical, as illustrated in this TEDtalk.

Why the interest in teaching? His response is a perfect reflection of his precise art: there is a satisfaction in delivering a well-crafted presentation.

But he also reflects,

Maybe it’s because when I discover something, the ah-ha moment is really fun—that moment when you’ve discovered something new is a rush. When I see it in someone else’s face, I am vicariously experiencing it by seeing it in them.

Oh, I see, Dr. Lang. And we at OIC couldn’t agree more!

Robert Lang provides folding patterns for a number of his pieces on his siteGet additional guidance from Origami Instructions and find free download patterns from Origami USA.

Comment on this post below, or inspire insight with your own OIC Moment here.

Copyright © 2011-2025 OIC Books   |   All Rights Reserved   |   Privacy Policy