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Cultural Encounters at a D-Day Military Camp

by Sheron Long on July 14, 2014

Reconstructed American Military Camp at Sainte-Marie-du-Mont during the D-Day 70th anniversary commemoration, giving militaria collectors a chance to share their gear and providing cultural encounters for visitors. (Image © Sheron Long)

Reconstructed American military camp at Sainte-Marie-du-Mont during
the D-Day 70th Anniversary commemoration, 2014
© Sheron Long

Preserving Great Moments in History

The Normandy Invasion on June 6, 1944, did no less than alter the course of the world. Seventy years later, the world still comes to the Normandy landing beaches to honor what the Allies accomplished in WWII, one of the great moments in history.

Of course, the occasion deserves the internationally-televised speeches by world leaders. But this year I chose to visit village commemorations, the ones that speak volumes about respect among ordinary people.

French woman standing at the door of her village house by the reconstruction of an American military camp to honor D-Day, a great  moment in history. (Image © Sheron Long)

French villagers bedeck their homes with flags and ribbons for the festivities.
© Sheron Long

These village festivities, including the reconstructed American military camp in Sainte-Marie-du-Mont, made me question if the merriment was suitable for the occasion. But the surprising cultural encounters I had there proved me wrong, leading to several “Oh, I see” moments.

More American than an American

With so much American memorabilia, from the tents to the uniforms to the vintage vehicles and supplies, I was sure the US government had staged the reconstruction . . . until the “soldiers” began to speak—in French!

Frenchmen, dressed like American soldiers, re-enact life in a military camp, providing a unique cultural encounter for  visitors to the 70th anniversary of D-Day. (Image © Sherry Long)

Men, who look like American soldiers, are French re-enactors.
© Sheron Long

Such cultural encounters are a disconnect—American to the eye, French to the ear.  But, the duality stems from the fascination that most people have with great moments in history and from the passionate respect that the French have for the Allies who liberated their country.

So great is their passion that they bring a meticulous approach to recapturing the authentic life of the Allied military camps.

Kitchen in a typical American military camp during WWII with objected provided by militaria collectors.  (Image © Sheron Long)

Everyday items, like those in this reconstructed army camp kitchen,
are passionately sought out by militaria collectors.
© Sheron Long

I strolled through the camp to a Glen Miller tune, taking in the American icons that were everywhere. Though the cartoon character of Betty Boop began as a French poodle and quickly morphed into the curvaceous woman she is today, it was the US soldiers in WWII who introduced her to France.

Kitchen table in a reconstructed military camp, showing Betty Boop. (image © Sheron Long)

Betty Boop, America’s first animated sex symbol, appeared in 1930
and was still going strong in WWII.
© Sheron Long

Giving back, it was the French re-enactors from dedicated historical organizations who made sure Betty graced the table in the kitchen of this American army camp. The cultural exchange was complete.

American for a Day

Visitors to the reconstructed military camp got into the scene, too, dressing up as an admired American persona.

This man sports the mohawk worn by 13 paratroopers in the 101st Airborne Division on D-Day.  Known as the “Filthy Thirteen,” these paratroopers were among the first to be dropped behind enemy lines with instructions to destroy key bridges and take no prisoners.

Frenchman impersonating a "Filthy Thirteen" paratrooper, visits the American military camp reconstructed for the D-Day 70th Anniversary commemoration of one of the great moments in history. (Image © Sheron Long)

This Frenchman chose to impersonate a “Filthy Thirteen” paratrooper.
Only four of the original thirteen survived the war.
© Sheron Long

On July 14, 1944, only 38 days after D-Day, 49 women in the Women’s Army Corps (WACs) landed in Normandy and took over the switchboards left behind by the Germans. So, naturally, the WACs appeared in the American military camp at the 70th Anniversary commemoration, too. These visitors look the part, both military and civilian.

A WAC and a civilian woman in 1940's period dress stand by vintage military vehicles as they participate in the commemoration of D-Day, one of the great moments in history.  (Image © Sheron Long)

Even visitors to the reconstructed army camp came in period dress.
© Sheron Long

Military Vehicles for Posterity

When the Allies and the Germans moved through France, they left tons of military vehicles and equipment behind. Taken in by the French, the items have been passed from generation to generation or bought and sold in the many military antique fairs.

On the occasion of a military camp re-enactment, the vehicles arrive en masse much like a car meet in the US.

US military vehicles line up by the reconstruction of a WWII military camp where people commemorate the 70th Anniversary of D-Day as one of the greatest moments in history. (Image © Sheron Long)

Now appearing in shows and parades, Jeeps and other vehicles
were instrumental after D-Day in the Allied advancement across northern France to Berlin.
© Sheron Long

With these privately-owned vehicles, the pride of ownership shows. But I learn from this cultural encounter that, for the owners, there’s something more—the responsibility to preserve the history related to the world’s greatest accomplishments.

Military cargo truck at a reconstructed American army camp to commemorate the 70th Anniversary of D-Day, one of the greatest moments in history. (Image © Sheron Long)

Heavy cargo trucks, like this one, clogged the roads as they delivered supplies to the front lines.
© Sheron Long

Not all the military vehicles at the reconstructed camp were American, and one important one was not even of the period.

A post-war Soviet motorcycle based on German technology from the WWII period, shown at a reconstructed American military camp as part of a commemoration of the 70th Anniversary of D-Day, one of the great moments in history.  (Image © Sheron Long)

A post-war Soviet motorcycle based on German technology from the WWII period
© Sheron Long

By now, I was used to speaking French with men in US uniforms. But when I used French to ask this man about his motorcycle, I didn’t get through. Finally, in English, he explained his story.

Born in East Germany, his father fought for the Germans in WWII. After the war, he returned home to his family in East Germany where this motorcycle became a common sight associated with how the Russians arrested citizens and kept them hostage.

Free now, the man I met cherishes his ownership of the motorcycle. He brought it to Normandy for the D-Day commemoration as a symbol of his freedom. He says:

“The Allies freed my father from Hitler and me from the Communists.”

This cultural encounter with an East German man in a US paratrooper uniform at a French re-enactment of an American military camp confirmed that celebratory festivities were, in fact, appropriate for the occasion. Certainly, freedom is cause for merriment.

Window of a Normandy house decorated with flags and ribbons for the 70th Anniversary of D-Day, one of the great moments in history. (Image © Sheron Long)

Celebrate freedom!
© Sheron Long

D-Day events continue through 2014. For details, visit DDay-Overlord.com and the 70th-normandy.com. The Military Vehicle Preservation Association publishes dates for military vehicle meet-ups in the US. 

Comment on this post below, or inspire insight with your own OIC Moment here.

 

Seeing Eye to Eye on London’s Street Art

by Sheron Long on June 16, 2014

Man using smart phone on bench next to wall with creative street art portraits. (Image © Sheron Long)

In London, the street scene changes depending on the artists and the actors.
photo © Sheron Long

Something Creative This Way Comes . . .

Don’t blink if you’re walking down the street in London’s Shoreditch neighborhood.  You could miss fresh street art and surprising street life.

Take the threesome above. Facebook man has spent so much time online that he turned blue. Does the same fate await the bench sitter with his smart phone, or will the mousey Cupid intervene? It’s a story about to happen in a restricted parking zone with cocktails.

And it comes with controversy. In fact, unsanctioned street art is illegal in London and often removed. Yet, the city itself has added perspex (plastic-like glass) over art by famous street artists, like Banksy, to preserve the works in recognition of their value.

Creative street art by a British street artist known as Banksy, showing a policeman walking a highly groomed poodle in front of a satirical sign that declares the area as one designated for graffiti and requires passersby to take their litter home. (Photo © Sheron Long.

An original Banksy in the artist’s signature stencil style with a satirical message.
Banksy developed his stenciling technique to tag walls quickly, thereby avoiding arrest.
His identity is unknown even after over 25 years of work.
photo © Sheron Long

Portrait of a Street Artist

Just the names of some street artists—Invader, RUN, Dscreet, Broken Fingaz Crew—suggest the stealth of the craft. Working quickly, often with cans of spraypaint, some street artists tag space without permission.

Head of a skeleton with red heart-shaped eyes done illegally in spray paint by a creative street artist. (Photo © Sheron Long)

Oh! What lovely eyes you have, my dear!
photo © Sheron Long

Street artists who ask permission may get it, but often without payment for even complicated works with bedroom eyes.

Woman's portrait painted for free on the doors of a bar by a creative street artist. (Photo © Sheron Long)

Bar beautification, color-coordinated and all for free
photo © Sheron Long

Whether painted illegally or legally through permission or by commission, amazing portraits grace the streets of Shoreditch. Walking tours, like those by Street Art London, take you face-to-face with these portraits.

Conor Harrington of Cork, Ireland, began as a graffiti writer at age 14. After formal art study in college, he now paints indoor and outdoor works that combine his graffiti roots and fine art training. After many successful exhibitions, he says, “I wouldn’t be doing what I’m doing now if I hadn’t painted on the streets. Simple.”

Commissioned portrait on the door of Tramshed, a Shoreditch restaurant by creative street artist and fine artist, Conor Harrington. (Photo © Sheron Long)

Commissioned portrait of a Napoleonic figure by Conor Harrington
on the door of Tramshed, a Shoreditch restaurant
photo © Sheron Long

El Mac (Miles “Mac” McGregor), inspired at a young age by classic European painters and Art Nouveau symbolists as well as the Chicano culture in his native Los Angeles, studied art independently. He uses a unique style in his street art, applying spraypaint to create a series of repeating contours with a ripple effect.

Portrait of a Mexican cowboy created in one evening by creative street artist, El Mac. (Photo © Sheron Long)

Portrait of a Mexican cowboy created in one evening by El Mac
photo © Sheron Long

Alexandre Farto from Portugal, known as VHILS, creates huge relief portraits from photographs, often of everyday people. He destroys to create, chiseling through layers of ads, plaster, brick, etc., to reveal the faces.

Relief portrait of a man by creative street artist VHILS (Alexandre Farto) chiseled into a Shoreditch wall. (Photo © Sheron Long)

Relief portrait by VHILS (Alexandre Farto) chiseled into a Shoreditch wall
photo © Sheron Long

The Face of a Neighborhood

Street art changes the nature of a neighborhood. Some say it defaces it; others say it gives the neighborhood its face, its character.

Street art also gives disenfranchised artists a voice and a place to showcase their talents when they cannot break into the limited space offered by galleries and museums.

Stik has been creating simple lonely-looking figures for about 15 years, during which he experienced ten years of homelessness. Can you find his figure amidst the pedestrian population of Shoreditch?

Large stick figure on a building at a busy Shoreditch intersection by creative street artist, Stik.  (Photo © Sheron Long)

Large stick figures by Stik began to be noticed in London in 2002
and are now in the art collections of several celebrities.
photo © Sheron Long

His figures have eyes but no other facial features. When you look at them, they look right back at you! Their simplicity (developed initially for speed to avoid arrest) captures body language that conveys complex emotions.

Simple and unassuming stick figure on a building in Shoreditch is from Stik, a creative street artist.  (Photo © Sheron Long)

Simple and unassuming stick figure from Stik is meant only to observe.
photo © Sheron Long

Stik sees street art as essential to a neighborhood in part because it is uncensored and it can spark dialog about issues that matter to its inhabitants.

Look closely and you’ll see the message in this urban art by Chilean-born Osch (Otto Schade), who trained as an architect and then turned his passion to painting. He now lives in London and adds his voice to the street art scene.

Creative street art in which a young child looks like he is picking fruit from a tree, but the fruit is really hand grenades. (Photo © Sheron Long)

A voice against war speaks up.
photo © Sheron Long

Ever-Changing Images

Because people and the concerns in a neighborhood are constantly changing, so is the street art. This wall started with a legal image of the wasp by Zadok of the Dead Leg Crew. The owner of the wall, who gave permission, was pleased with the image.

Creative street art showing a large, green wasp on a wall in Shoreditch. (Photo © Sheron Long)

This wasp landed legally on the wall, beautifying a busy intersection.
photo © Sheron Long

But tagging invites tagging and soon a portrait of Mother Earth appeared, created in a compatible style by Paul Don Smith, along with a geometric pattern by Endless.

Creative street art wall showing the additions by other artists of a wispy portrait, geometric patterns, and a modern illustration of a man as a faucet. (Photo © Sheron Long)

Enhancements emerged in the trail of the original wasp.
photo © Sheron Long

Then Smith stenciled in the man in a bowler hat (a sure tie to bankers) with a faucet on his head and a social commentary about the flow of money. When it comes to street art, change is, as written in the signature of one of the artists, endless.

Oh, I See

Just as street art is ever-changing, so are the views of it. Is street art vandalism? Does it give talent a chance to shine? How do you see it? Take our poll and check any statements with which you agree.

Poll SpacerPoll Spacer[polldaddy poll=8126540]

There may be more to creative street art than meets the eye. Check back in a week or so and see how many of you see eye to eye.

With many thanks to Karim at Street Art Tours for a fascinating walk through Shoreditch. Find more on the fleeting nature of street art and on interesting interactions of people and street art. 

Comment on this post below, or inspire insight with your own OIC Moment here.

Growing Radishes and Creativity

by Sheron Long on May 26, 2014

Radishes growing from the pages of a Japanese manga comic book, accomplished through the creative process of Koshi Kawachi (Image © Koshi Kawashi)

Radishes pop up in an icon of Japanese pop culture—manga comics.
© Koshi Kawashi

Take a Page from a Manga Comic Book

Creativity sprouts in likely places—i.e., anywhere:

In a Toronto street crack,

At the easel in a French atelier,

On a butcher-paper tablecloth in a Carmel cafe, or

Like this creative radish garden, within the pages of Japanese manga.

Planted by Tokyo artist Koshi Kawachi as part of his contemporary art series “Manga Farming,” the work places agriculture, a fundamental activity for the human race, in juxtaposition with a pastime of Japanese pop culture—manga comics.

A surprising seedbed? Perhaps. But manga—graphic novels of action and adventure, romance, sports, horror, business, and more—tell the tale of human life, the very life that is sustained by the food grown in the world.

Planting the Seeds of Creativity

Farming, even on the small scale of a vegetable garden, has more to say about creativity than you might think. Both involve a kind of  “playing in the dirt.”

Bed of radish seedlings, symbolizing how ideas pop up from a creative process that involves getting your hands dirty. (Image © S847 / iStock)

Like farming, creativity flourishes when you get your hands dirty.
© S847 / iStock

I don’t know how long it took Kawachi to create his artwork, but I imagine that it started with just the seed of an idea. Like real radish seeds nourished by rich soil, the seeds of creative ideas need a nurturing environment—time to grow, freedom to poke up in any direction, timely watering.

Pouring water onto radish seedlings sprouting from the pages of Japanese manga comics. (Image © Koshi Kawachi)

To grow a good idea, water well and wait a bit.
© Koshi Kawachi

Attending to Tender Ideas

When well-tended, the radish seed takes 25 days to grow into a leafy plant and bear the crunchy radish.

Radishes ready to harvest, symbolizing how farming is like the creative process in which good ideas yield fruit. (Image © HandmadePictures / iStock)

From seed to harvest—creative ideas, unlike the radish,
may not mature in a predictable number of days.
© HandmadePictures / iStock

Creativity works on its own timetable. But the creative process is more like growing veggies than not—caring hands must thin the crop, pull weeds outright, and support the good ideas as they grow.

Tying up radish seedlings that sprout from the pages of Japanese manga comics, symbolizing the need to take care of good ideas in the creative process. (Image © Koshi Kawachi)

Help out a sprout, and a flower pops out. That’s true of creative ideas, too.
© Koshi Kawachi

One of Kawachi’s good ideas was to plant the radish seeds like bookmarks on his favorite manga pages. Oh, I see the artist’s statement—he connected the seeds as symbols of necessary sustenance to the height of fleeting entertainment.

His ideas sprouted, grew, and flowered.

Flower on a radish plant seeded into the pages of Japanese manga comics, symbolizing a critical step in both the agricultural and creative process. (Image © Koshi Kawachi)

Radishes and creative ideas have to flower before they bear fruit.
© Koshi Kawachi

Crops on Display

When radish farmers spy the first red shoulders of the fruit, they know the payoff of the harvest is near—a literal feast for their tables.

Dinner plate with face made from black olives for eyes, red radish for nose, its green leaves for eyebrows, and a lemon slice for a smile, showing the fun of creativity. (Image © Julia Saponova / Hemera)

Creativity! It’s something to smile about.
© Julia Saponova / Hemera

Artists, however, often sense the completion of their work through a visceral feeling when it is just the way they want it—a feast for the eyes.

For one exhibit in the museum at the Matsuzakaya department store in Nagoya, Kawachi assembled dozens of manga farms, arranging them in long rows like those of a field, as solitary sprouts, and in aesthetic groupings.

Four manga farms on display, showing the result of Koshi Kawachi's creative process. (Image © Koshi Kawachi)

Kawachi’s manga farms on exhibit—a feast for the eyes with manga eyes staring back
© Koshi Kawachi

He encourages others to try the idea, following the manga farmer’s simple steps:

1. Read the manga.

2. Plant the seeds on the pages you like best.

3. Bring up vegetables.

Well, it might be necessary to repot the seedlings first. Even such repotting is part of becoming more creative. Artists will often tell you how their works start in one direction, growing and coming to lovely fruition only when redirected.

And so it is that out of the pages of Japanese manga comes a new chapter in understanding the creative process. Radishes and creativity—a fertile mash-up, one with crunch!

A single radish with leaves, symbol of what the creative process has in common with farming (Image © bajinda / iStock)

Crunch!
© bajinda / iStock

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The Kyoto International Manga Museum has a collection of more than 50,000 manga. Stay in touch with current manga events online at the Toronto Comic Arts Festival

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