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Life’s Wonders Drift in on a Feather

by Janine Boylan on November 4, 2013

Where Feathers Come From, tby Chris Maynard, showing life's wonders in feather art (© Chris Maynard)

Where Feathers Come From
turkey feather
© Chris Maynard

Chris Maynard’s Creative Process

Where Feathers Come From, by Chris Maynard, showing life's wonders in feather art (© Chris Maynard)

detail, Where Feathers Come From
© Chris Maynard

“Feathers,” artist Chris Maynard says, “represent life’s wonders.”

A trained biologist, Maynard knows a lot about birds and their feathers. He can tell you everything from the structure of feathers to the patterns of bird migration.

Turning to Art

Although he studied the sciences, Maynard grew up around art. And his artist mother was very careful not to squelch her son’s creativity. When his mom passed away in 2008, Maynard had a life-changing “Oh, I see” moment. He decided to turn away from his science career to the art she had taught him to love.

Now, he says “I feel like I’ve come home.”

Maynard’s dad was influential on his son’s work as well. His dad was an eye surgeon who did technical, detailed work. Maynard remembers his dad wearing the thick magnifying lenses he now uses. He also relies on his dad’s surgery scissors and forceps to do his own detailed work.

artist Chris Maynard, showing life's wonders in feather art. (Image © Chris Maynard)

Chris Maynard, wearing his father’s magnifying glasses.
© Chris Maynard

Focus on Feathers

While still a biologist, Maynard loved to photograph feathers. When he shifted his full-time attention to art, he kept his focus on them. Now he uses a creative process influenced by his deep appreciation for the wondrous science behind feathers.

“Feathers are curved, so naturally they don’t get pasted flat on a piece of paper. I do three-dimensional sculpture rather than two-dimensional pieces. The feathers get pulled away from the paper, and, as a result, shadows became a natural part of my art,” Maynard explains.

Reflection, by Chris Maynard, showing life's wonders in feather art (© Chris Maynard)

Reflection
matched pair, Great Argus pheasant feathers
© Chris Maynard

Reflection, by Chirs Maybard, showing life's wonders in feather art (© Chris Maynard)

detail, Reflection
© Chris Maynard

He also is intrigued with the patterns and colors. “A bird’s feathers will grow so that they are almost exactly mirror images on each side. It’s kind of a mystery how they match so well.”

The patterns and colors are highlighted in the delicate bird shapes he trims from the feather shafts. “Cutting feathers makes them richer for most of us, so I can say different things with them,” he shares.

Staying Together

Knowing that Maynard’s meticulous cuttings are made of feathers, you have to wonder how his pieces stay together.

To explain, Maynard first describes how a feather is made. “Each feather is made of a shaft and a bunch of barbs that come off the shaft.  Like tree branches. Each branch, or barb, has more branches coming off of it.  On a feather these smaller branches are called barbules. Each barbule has a grabby claw hook which grasps others.  That’s what keeps a feather together and flat. Without them, birds couldn’t fly. It’s like Velcro. And they can come apart and zip back together again.”

Maynard relies on the barbules to keep his cut pieces together as well.

Even so, the shape of his cuts may break the connections sometimes. So he uses backing material in certain places to keep the form in place.

Blackbirds, by Chris Maynard, showing life's wonders in feather art (© Chris Maynard)

Blackbirds
European crow feathers
© Chris Maynard

Capturing Motion and Sound

Maynard’s cut feather art ripples with motion and sound.

“I like to capture sound, if I can, in an image because sound is over time, not like an instant art image. If someone can imagine the sound, the image might last longer,” he explains.

Singing Bird 14, by Chris Maynard, showing life's wonders in feather art (© Chris Maynard)

Singing Bird 14
pigeon and parrot feathers
© Chris Maynard

His work also captures the motion of the birds in flight or the gentle movement of water around them.

Ibis 1, Iby Chris Maynard, showing life's wonders in feather art (© Chris Maynard)

Ibis 1
Impeyan pheasant tail feathers
© Chris Maynard

Getting Materials

Since it illegal to have certain kinds of feathers, Maynard is careful in his collections. He gathers feathers from aviaries, bird owners, zoos, and even his own pet pheasants. Once, a woman sent him a huge bag of feathers her mother had collected over 22 years from their pet parakeet.

Kingfisher 2, by Chris Maynard, showing life's wonders in feather art. (© Chris Maynard)

Kingfisher 2
blue and gold macaw and parakeet feathers
© Chris Maynard

Rewards

Maynard clearly loves his creative process as much as he loves the wonders of a feather. He loves to share what he knows about birds and feathers. And he especially loves when people find feathers as beautiful as he does.

Peacock Attraction, by Chris Maynard, showing life's wonders in feather art (© Chris Maynard)

Peacock Attraction
India blue peacock feathers
© Chris Maynard

Peacock Attraction, by Chris Maynard, showing life's wonders in feather art (© Chris Maynard)

detail, Peacock Attraction
© Chris Maynard

“Sharing life’s wonders with people, having it hit a chord with people, is satisfying,” Maynard says. “If people see feathers in new ways and then go out and see birds in new ways, I feel like I’ve been successful.”

Oh, I see life’s wonders in new ways!

In addition to his online gallery, Maynard’s work can be seen at the Gerald Peters Gallery in Santa Fe, New Mexico.

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Finding Common Ground: Chalk It Up to Art

by Janine Boylan on October 28, 2013

Day of the Dead: finding common ground through chalk art in San Antonio, Texas (Image © Janine Boylan)

Day of the many dead
© Janine Boylan

Community Building in Chalk Art

Turning a corner in busy San Antonio, Texas, and Oh, I see! The once-drab sidewalks are filled in with colorful patches of art.

At this chalk art festival and others like it worldwide, professional artists, school-aged children, and other community members find common ground by working side by side and filling the sidewalks with glorious colors and designs.

finding common ground through chalk art in San Antonio, Texas (Image courtesy of Artpace, San Antonio, by Francisco Cortes)

Chalk brings them together.
Image courtesy of Artpace, San Antonio, by Francisco Cortes

Most observers step carefully between and around the art to both appreciate it and not ruin it.

But sometimes the art is too tempting, and people just have to be part of it.

So, inspired by the art, they grab a stick and add their own mark.

finding common ground through chalk art in San Antonio, Texas (Image © Janine Boylan)

Adding his mark.
© Janine Boylan

Art History

Over the past few decades, chalk art festivals have been slowly spreading across the world.

Long ago, in the 16th century, street artists in Italy popularized the medium. Since they often copied religious symbols, they became known as i Madonnari. Traveling from city to city and creating their inspiring art on the dirty streets, i Madonnari relied on the public for donations.

The devastation of World War II slowed the artistry for a time, but in the 1970s, the talented artists at the International Street Painting Festival in Grazie di Curtatone, Italy, repopularized the art form. The Santa Barbara Mission is credited with starting the chalk art community festival trend in the United States.

Different themes naturally arise from the various festivals—like this pointy boot inspired by its Texas surroundings.

finding common ground through Rigoberto Luna's chalk art in San Antonio, Texas (Image © Janine Boylan)

La bota picuda by Rigoberto Luna
© Janine Boylan

Community Festivals

Part of the allure of the chalk festival is watching the art unfold in an unpredictable setting. Chalk art is as much about the process and the place as it is about the picture.

Artists can’t control where the sidewalk cracks are. The weather could turn at any moment from sun to rain. It could be scorching hot or hand-numbing cold.

Some artists come prepared with careful plans; others let the ideas tumble out of their chalk sticks.

And all of this happens in front of an appreciative, often inquisitive, audience.

Tommy Hopkins, finding common ground in his chalk art (Image by Todd Johnson, courtesy of Artpace San Antonio)

Tommy Hopkins
Image courtesy of Artpace San Antonio, by Todd Johnson

Dust to Dust

Chalk art’s life span is destined to be short. Merchants may spray the art away immediately, or it might get slowly carried away on the soles of passers-by.

finding common ground through Alex Rubio's chalk art in San Antonio, Texas (Image © Janine Boylan)

Alex Rubio’s alluring design gets carried off.
© Janine Boylan

But in the short time of the festival, the community of professional, amateur, and spur-of-the-moment artists found common ground and perhaps a little inspiration in a bit of chalk.

finding common ground through chalk art in San Antonio, Texas (Image © Janine Boylan)

This Nightmare will be washed away before Christmas.
© Janine Boylan

Chalk art festivals happen year round, world-wide. The International Street Painting Society posts a schedule on their Web site so you an find one near you. 

finding common ground through chalk art in San Antonio, Texas (Image courtesy of Artpace, San Antonio, by Xelina Flores-Chasnoff)


Image courtesy of Artpace, San Antonio, by Xelina Flores-Chasnoff

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Picture-Perfect Pumpkin Carving

by Janine Boylan on October 21, 2013

Klimt's The Kiss, creative expression in pumpkin carving by Maniac Pumpkin Carvers

a tribute to Klimt’s The Kiss
© Maniac Pumpin Carvers

Creative Expressions for Halloween

Most people may take a break from their everyday jobs to go on vacation. Marc Evan and Chris Soria use their time away to, as they say, “get messy with some pumpkins.”

The Brooklyn-based childhood friends pause their 11-month art careers to spend every day in October working until early into the morning carving, cutting, and hollowing out hundreds of orange gourds as part of their seasonal business, Maniac Pumpkin Carvers.

Evan explains, “Part of the fun for me is seeing what can be done in a pumpkin because it is this new medium. We’re constantly finding new things and pushing the envelope.”

for Day of the Dead, creative expression in pumpkin carving by Maniac Pumpkin Carvers

for Day of the Dead
© Maniac Pumpkin Carvers

Becoming Carvers

The friends’ passion for Halloween started during their high school days, when they created a haunted house to scare the kids in the neighborhood. Soria recalls, “We were scaring their parents, actually. It was a pretty fantastic haunted house.”

In the Octobers that followed, they’d take pumpkins to their restaurant jobs to carve during the slow times. Word was spreading that the duo could carve up some pretty good jack o’lanterns.

Then the New York Yankees were in the World Series, and everything changed.

Soria and Evan were asked to carve 50 Yankees jack o’lanterns for private boxes around the stadium. That was the “Oh, I see” moment of their careers: they were now professional pumpkin carvers. Soon they had a web site, an official business, and a lot more pumpkins to carve.

2009 World Series pumpkin, creative expression of pumpkin carving by Maniac Pumpkin Carvers

for Game 1 of the 2009 World Series,
commissioned by the NY Yankees
© Maniac Pumpkin Carvers

Tools of the Trade

Soria and Evan specialize in two types of pumpkin carving: creating lanterns and sculpting figures. For the first type, they shave layers off the outside of the pumpkin, hollow it out, and light it from within, like the World Series pumpkin above. For the second type, they sculpt the pumpkin into three-dimensional shapes like the piece below.

Old man, creative expression in pumpkin carving by Maniac Pumpkin Carvers

Old Man
© Maniac Pumpkin Carvers

Their tools come from hardware stores and kitchen supply shops. While they admit that the thin saws and plastic scoopers from grocery store carving kits are actually pretty useful, most of the tools they use are meant for other things, like cutting linoleum or shaping ceramic pots. And they are all pretty sharp.

Evan shares, “You need to have a lot of concentration, a lot of focus, a lot of patience while you’re working. We’re using very sharp tools. One slip could be the end of the season for us.”

A Pile of Pumpkins

Because pumpkins don’t last forever, the team has to carve a pumpkin within 24 hours of when it is needed. And, of course, most Halloween jack o’lanterns are needed at just about the same time. So it’s a busy month.

Evan explains, “Last night we were carving until 7am, which is kind of usual for this time of year. The carving itself can take anywhere from one hour to six hours. It depends on the complexity of the design and how much caffeine we’ve had.”

Soria adds, “Sometimes we do a couple of pumpkins in a night. Sometimes we do 20, 30, 40 pumpkins in a night.” They carve up several hundred pumpkins for the season, this year including a 1,800 pounder at the New York Botanical Gardens’ Haunted Gardens and a 1,000 pounder at Coney Island’s Luna Park.

Sendak's Where the Wild Things Are, creative expression in pumpkin carving by Maniac Pumpkin Carvers

a tribute to Sendak’s Where the Wild Things Are
© Maniac Pumpkin Carvers

The pair realize that their pieces won’t be around for long. In fact, they often compare pumpkin carving to ice sculpture. They note, “We easily get lost in the details, spending hours upon hours trying to get all the details just right. Pumpkin carving requires a lot of patience, a love for the medium, and the acceptance that the beautiful work you’ve created will soon decay and become compost.”

They have learned a few tricks to keep their work from deteriorating too quickly: spritzing the cuts with diluted lemon juice, coating them with petroleum jelly, refrigerating the carving, and submerging the pumpkins in cold water baths.

One trick that does make the pumpkins last: they always take photos of their work.

Van Gogh's Starry Night, creative expression in pumpkin carving by Maniac Pumpkin Carvers

Van Gogh’s Starry Night for the Museum of Modern Art
© Maniac Pumpkin Carvers

The Future

The team has accomplished a lot over the years. They won Food Network’s “Halloween Wars,” they have created pumpkins for art museums, including the Museum of Modern Art, and they have carved for some of their favorite musicians and sports teams. They also have been able to travel around the country to display their skill.

So is there anything they still dream of?

To carve pumpkins for the President at The White House!

Now it’s your turn . . .

 

Watch this video to see Evan and Soria carve out their creative expressions.

If the video doesn’t display, watch it here.

VIA CNN and Brooklyn Review.

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