Oh, I see! moments
Travel Cultures Language

Cinemagraphs Reveal Beauty In and Out of Focus

by Bruce Goldstone on April 21, 2014

A cinemagraph shows Central Park in focus through a pair of glasses, revealing the beauty of corrected and uncorrected vision. (Image © Jamie Beck and Kevin Burg)

Is clarity always best?
© Jamie Beck and Kevin Burg

Natural Vision vs. Corrected Vision

Autumn leaves flutter in and out of focus in a striking image from Jamie Beck and Kevin Burg’s series of optical animations.

The effect is enchanting. But my reaction to this poetic series is perhaps atypical.

Am I the only one who gazes at this work and sees a powerful argument for the beauty of both corrected and natural vision?

The Secret Life of Photos

Beck and Burg have captivated the web since they created a new style of animated photograph to capture the excitement of Fashion Week in New York city. They call their moving creations cinemagraphs.

Creative Thinking Busts 5 Myths About Public Parks

by Bruce Goldstone on April 14, 2014

A park caravan, illustrating how creative thinking can redefine public parks. (Image © Kevin Van Braak)

This portable park can park almost anywhere.
© Kevin van Braak

Redefining Parks and Other Public Spaces

Sunny day in central park, illustrating a model for public parks that creative thinking is expanding. (Image © Songquan Deng/Shutterstock)

A picture perfect park,
but not all parks have to look like this
© Songquan Deng/Shutterstock

After a long winter, public parks are once again greening up. On the first nice day, they beckon city dwellers to gather, relax, and play.

The model city park offers a grassy lawn, cozy benches, ballfields, and meandering paths.

But creative thinking is redefining what city parks can and will be. And the innovative projects that result have shattered these five common myths about what makes a park a park.

Richard Renaldi Poses Strangers . . . and Questions

by Bruce Goldstone on April 7, 2014

Portrait from Richard Renaldi's Touching Strangers, a project that creates and captures fleeting relationships. (Image © Richard Renaldi).

Sonia, Zach, Raekwon, and Antonio, 2011, Tampa, FL
from Touching Strangers (Aperture, May 2014)
© Richard Renaldi

Touching Strangers Creates and Captures Fleeting Relationships

Two kids and two adults perch on a bed in an anonymous Florida hotel in Richard Renaldi’s striking photographic portrait.

Their body language shifts every time you look back. Are they relaxed or tense? Friendly or feuding? A hidden piece of information explains why the subtext is so hard to read: these people aren’t an actual family. In fact, they just met moments ago.

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