At Toluca’s Cosmovitral—cultivating the cosmos and an entire botanical garden
© Dia Glez

A Botanical Garden Grows Under Glass

As I walked a stone path enveloped by plants from around the world, the light winked a blue-purple and then a red-orange. Plants dangled in the air. Behind supple foliage emerged hard lines of steel supports. Contrasting sounds hit me—bird song and human murmuring; water trickling and car engines rumbling.

What was this ethereal place of such contrasts?

I had stumbled into an unlikely oasis within the city of Toluca, Mexico. Here was both the largest art installation of stained glass in the world and a botanical garden with hundreds of plant species from around the world—the Cosmovitral.

Gardens the length of a football field under a sky of glass
© Eva Boynton

The name Cosmovitral comes from a combination of cosmos and vitral, the Spanish words for “cosmos” and “stained glass.” It is a place where a beautiful work of human design—the glass mural—meets a marvel of nature’s design—the botanical garden. For me, it was a traveler’s oasis.

Cosmic details of night and day in the ceiling panels at Toluca’s Cosmovitral.
© Eva Boynton

Venerable Roots and Worldwide Sprouts

At Cosmovitral, birds whiz from an African tree to the metal arches supporting the building that once was Toluca’s first grand market.

Built in art deco style, the original market building resembled a train station with clear glass above concrete walls. It opened in 1910 to celebrate the 100-year anniversary of the start of the Mexican Revolution and operated until 1975.

Thanks to Yolanda Sentíes, the first female mayor of Toluca, and artist Leopoldo Flores Valdés, the market building would have a creative new life.

Flores imagined the old glass walls of the market as a mural in stained-glass, with no beginning and no end. The city envisioned a botanical garden underneath. Five years later in 1980, the Cosmovitral opened. Today, more than 400 species from all over the world grow there.

Plants from many countries, such as
South Africa and Japan (bottom), grow side by side in Cosmovitral.
© Fanny Murguia (images 1-3) and Eva Boynton (image 4)

Harvesting Light

It took 45 tons of glass in 28 different colors to create the 71 stained glass panels in the Cosmovitral. Imported from Italy, Germany, France, Belgium, Japan, Canada and the USA, the glass lets light seep through walls and cast its colors on the gardens below.

Blue and purple reflections fall from a flying owl.
© Odette Barron Villegas

Leopoldo Flores and about 60 artisans created the windows across a 3-year period, using 25 tons of lead and about 500,000 pieces of glass. Blues are dominant on the north side with brighter colors on the south side.

Piece by piece, a masterpiece is made.
© Jennifer Doofershmirtz

The mural makes a statement on mankind’s connection to the universe. In the book El Estado de México, Gerardo Novo explains:

The theme depicted by the windows centers on universal dualities and antagonisms, the struggle between life and death, good and evil, day and night, and creation and destruction, all shown in cosmic continuum.

Light plays the essential role in illuminating the theme.  As the sun moves through the sky, different stained glass windows take prominence. Here humans plunge through swirling reds, oranges, and yellows, colliding headfirst with life and death.

Stained glass often relates to places of worship.
Perhaps Cosmovitral is just that—a place to pay honor to a cosmic connection.
© Eva Boynton

At one end of the building, light pierces a wall of glass, revealing the awe-inspiring Hombre Sol (Sun Man) that has become the symbol for Toluca. Here mankind is depicted in harmony with the universe.

With the alignment of the sun at the spring equinox,
Hombre Sol takes on a cosmic, fiery glow.
© Eva Boynton

Digging Deeper

With such light on the matter, Oh, I see the dualities in our universe.

I see how opposites—day and night, good and evil, life and death—have their own connection in the cosmos. I see the cycles of life. Even the plants growing at Cosmovitral are fed by nutrients of decaying organic matter with life and death ever present and ever important to the continuum.

The very dualisms represented in the vast murals are tightly connected, leaded together in fact, as they interact within the same universe.

Here, at my traveler’s oasis in the Cosmovitral botanical garden, I question if opposites are really opposing at all.

A final glance through the exit back into the garden and
a last reflection on the dualities of our universe
© Eva Boynton

Find info on visiting Cosmovitral and more photos here. 

Comment on this post below, or inspire insight with your own OIC Moment here.

<\/h2>\n

At Toluca’s Cosmovitral<\/em>—cultivating the cosmos and an entire botanical garden
\u00a9 Dia Glez<\/a><\/span><\/p><\/div>\n

A Botanical Garden Grows Under Glass<\/h2>\n

As I\u00a0walked a stone path enveloped by plants from around the world, the light winked\u00a0a blue-purple and then a red-orange. Plants dangled in the air. Behind supple foliage emerged hard lines of steel supports.\u00a0Contrasting sounds hit me—bird song and human murmuring; water trickling and car engines\u00a0rumbling.<\/p>\n

What was this ethereal place of such contrasts?<\/p>\n

I had stumbled into an\u00a0unlikely oasis within the city of Toluca, Mexico. Here was\u00a0both the largest art installation of stained glass in the world and a botanical garden with hundreds of plant species from around the world—the\u00a0Cosmovitral.<\/em><\/p>\n

Gardens the length of a football field under a sky of glass
\u00a9 Eva Boynton<\/p><\/div>\n

The name\u00a0Cosmovitral<\/em> comes from a combination of cosmos<\/em>\u00a0and vitral<\/em>, the Spanish words for “cosmos” and “stained glass.” It is a place where a beautiful work of human design—the glass mural—meets\u00a0a marvel\u00a0of nature’s design—the botanical garden. For me, it was a traveler’s oasis.<\/p>\n

Cosmic details of night and day in the ceiling panels at Toluca’s Cosmovitral<\/em>.
\u00a9 Eva Boynton<\/p><\/div>\n

Venerable Roots and Worldwide Sprouts<\/h4>\n

At Cosmovitral,<\/em> birds whiz from an African tree to the metal arches supporting the building that once was Toluca’s first grand market.<\/p>\n

Built in art deco style, the original market building resembled\u00a0a train station with clear glass above concrete walls. It\u00a0opened in 1910 to celebrate the 100-year anniversary of the start of the Mexican Revolution and\u00a0operated until 1975.<\/p>\n

Thanks to Yolanda Sent\u00edes, the first female mayor of Toluca, and artist Leopoldo Flores Vald\u00e9s, the market building would have a creative new life.<\/p>\n

Flores imagined the old glass walls of the market as a mural in stained-glass, with no beginning and no end.\u00a0The city\u00a0envisioned a botanical garden underneath. Five years later in 1980, the\u00a0Cosmovitral<\/em>\u00a0opened. Today, more than 400 species from all over the world grow there.<\/p>\n

<\/a><\/p>\n

Plants from many countries, such as
South Africa and Japan (bottom), grow side by side in Cosmovitral.
\u00a9 Fanny Murguia<\/a><\/span> (images 1-3) and Eva Boynton (image 4)<\/p><\/div>\n

Harvesting Light<\/h4>\n

It took\u00a045 tons of glass\u00a0in\u00a028 different colors to create the 71 stained glass panels in the Cosmovitral<\/em>. Imported from\u00a0Italy, Germany, France, Belgium, Japan, Canada and the USA, the glass lets light seep through walls and cast its colors on the gardens below.<\/p>\n

Blue and purple reflections fall from a flying owl.
\u00a9 Odette Barron Villegas<\/a><\/span><\/p><\/div>\n

Leopoldo Flores and about 60\u00a0artisans created the windows across a 3-year period, using 25 tons of lead and about 500,000 pieces of glass.\u00a0Blues are dominant on the north side with brighter colors on the south side.<\/p>\n

Piece by piece, a masterpiece is made.
\u00a9 Jennifer Doofershmirtz<\/a><\/span><\/p><\/div>\n

The mural makes a statement on\u00a0mankind’s connection to the universe.\u00a0In the\u00a0book El Estado de M\u00e9xico<\/em>, Gerardo Novo explains:<\/p>\n

The theme depicted by the windows centers on universal dualities and antagonisms, the struggle between life and death, good and evil, day and night, and creation and destruction, all shown in cosmic continuum.<\/em><\/p>\n

Light plays the essential role in illuminating the theme.\u00a0 As the sun moves through the sky, different stained glass windows take prominence. Here humans plunge through swirling reds, oranges, and yellows, colliding headfirst with life and death.<\/p>\n

Stained glass often relates to places of worship.
Perhaps Cosmovitral<\/em> is just that—a place to pay honor to a cosmic connection.
\u00a9 Eva Boynton<\/p><\/div>\n

At one end of the building, light pierces a\u00a0wall of glass, revealing the awe-inspiring\u00a0Hombre Sol<\/em>\u00a0(Sun Man) that has become the symbol for Toluca. Here mankind is depicted in harmony with the universe.<\/p>\n

With the alignment of the sun at the spring equinox,
Hombre Sol<\/em> takes on a cosmic, fiery glow.
\u00a9 Eva Boynton<\/p><\/div>\n

Digging Deeper<\/span><\/strong><\/h4>\n

With such light on the matter, Oh, I see <\/strong>the dualities\u00a0in our universe.<\/p>\n

I see\u00a0how opposites—day and night, good and evil, life and death—have their own connection in the cosmos. I see the cycles of life. Even\u00a0the plants\u00a0growing\u00a0at Cosmovitral\u00a0<\/em>are\u00a0fed by\u00a0nutrients of\u00a0decaying organic matter with life and death ever present and ever important to the continuum.<\/p>\n

The very dualisms represented in the vast murals\u00a0are tightly connected, leaded together in fact, as\u00a0they\u00a0interact\u00a0within the same universe.<\/p>\n

Here, at my traveler’s oasis in the Cosmovitral<\/em> botanical garden, I question if opposites are really opposing at all.<\/p>\n

A final glance through the exit back into the garden and
a last reflection on the dualities of our universe
\u00a9 Eva Boynton<\/p><\/div>\n

Find\u00a0info on visiting <\/i>Cosmovitral and more photos here<\/a>.\u00a0<\/i><\/p>\n

Comment<\/a><\/i>\u00a0on this post below, or inspire insight with your own\u00a0OIC Moment\u00a0<\/em>here<\/em><\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":null,"protected":false},"author":10,"featured_media":22942,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[195,225,126],"tags":[],"class_list":["post-22941","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mexico-mappoints","category-nature-travel","category-art-creative"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/posts\/22941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/comments?post=22941"}],"version-history":[{"count":120,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/posts\/22941\/revisions"}],"predecessor-version":[{"id":40756,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/posts\/22941\/revisions\/40756"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/media\/22942"}],"wp:attachment":[{"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/media?parent=22941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/categories?post=22941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/tags?post=22941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}