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Female Mexican dancers in colorful costumes, showing one of many traditional Mexican dances that go across different cultures that make up Mexico. (Image © Eva Boynton)

Las Chiapanecas (The Women of Chiapas)  whirl in an elegant tornado of color and tradition.
© Eva Boynton

One Stage, Many Colors

When you travel, timing is everything.

In a new city, any turn down a street can bring a surprise—like my walk down calle Miguel Hidalgo in Toluca, Mexico, that led me straight into a festival lit up with color, music, and dance. This was Toluca’s third Festival Cultural, highlighting National Teacher’s Day on May 15.

A single stage celebrated dances and music from around the world, showcasing performers of traditional Mexican dances side by side with those who embraced more modern influences. The event showed how Mexico goes across cultures to form an eclectic cultural identity.

Embracing the Present

Los niños (the kids) launched the festivities with flair. In colorful costumes, they performed dance routines inspired by movies, musicals, and—in this case—music by Christina Aguilera and Michael Jackson.

Young girls dressed in pink outfits dancing to jazz music, illustrating how Mexican dances can go across cultures. (Image © Eva Boynton)

A tip of the hat to JAZZ!
© Eva Boynton

Groups of performers, each from a different preschool or elementary school, garnered smiles and applause even when a child missed the cue or ran into a fellow dancer in a pirouette across the stage.

Ballarinas dancing in a group, showing how Mexican dances can go across cultures. (Image © Eva Boynton)

Ballet, originating in Europe and Russia, is a part of modern Mexico and
sometimes mixes with traditional dance.
© Eva Boynton

The dancers’ earnest effort, costumes, choreographed moves, and elaborate set changes demonstrated their dedication to the cultural celebration.

I had never imagined being at a Mexican festival singing along to Hakuna Matata, It’s a Hard Knock Life, and other familiar songs from The Lion King, Peter Pan, Annie, The Wizard of Oz, Grease, Chicago, and Cats.

Mexican girl performing a dance as the wicked witch from The Wizard of Oz, showing how performers in Mexico go across cultures in Mexican dances. (Image © Eva Boynton)

A pause in the performance by the scary Wicked Witch of the West from The Wizard of Oz
© Eva Boynton

Yet, on this day at this Festival Cultural, jazz born in New Orleans and ballet originating in Europe seemed a natural part of modern Mexican traditions.

The performances celebrated these modern-day influences, and with a nod to the younger generations, they incorporated new colors of culture into Mexican tradition.

Crossing Paths with the Past

As Dorothy and Toto exited the stage, however, Aztec dancers entered the spotlight.

A shift in cultures, for sure. But as Mexico’s danzas folklóricas (folk or traditional dances) played out, it became apparent that these dances, from 31 different states, stepped across cultures and times themselves.

Each dance told a story of its origin and time, reflecting indigenous roots, local traditions, or historical events:

Traditional dancers dressed with feather headdresses, showing crossing cultures of Mexican tradition. (image © Eva Boynton)

Feather headdresses and the noisy seed leggings are part of the
traditional costumes worn for Aztec dances.
© Eva Boynton

Women dressed in red dresses and hats for a traditional Mexican dance, showing Mexican tradition. (image © Eva Boynton)

Even the petticoats worn for this dance are colorfully embroidered.
© Eva Boynton

Women and men dancing in white and twirling scarves, showing Peruvian and Chilean influences on traditional Mexican dances. (Image © Eva Boynton)

Chilena dances, like “El Toro Rabón” (The Bull Without a Tail) or “La Iguana,” 
(The Iguana) are named after animals found in the local environment.
© Eva Boynton

Women and men dressed in cowboy-like outfits balancing bottles on their heads, showing influences of border culture on traditional Mexican dances. (Image  © Eva Boynton)

These dancers keep their rhythm while balancing jars on their heads.
© Eva Boynton

And because dances need music and movement, get a better feel for them from this video (5:11).

If video does not display, access it here

A New View of Mexican Dances

Glued to my seat, I watched the dancers until Oh, I couldn’t see much longer! My eyes were killing me, and my legs had fallen asleep. But by the time I left I had a new understanding of what happens when people go across cultures.

Little did I know that by stumbling upon this festival I would get my own education in how a place can honor its past and present with national and international influences. It was a day to celebrate the vibrancy of Mexican dances and the ever-changing nature of cultural heritage.

And that was only my first day in town . . .

Festival Cultural 2015 © Eva Boynton

Festival Cultural 2015
© Eva Boynton

The Festival Cultural was sponsored by the Sindicato Nacional de Trabajadores de la Educación (National Union of Educational Workers) as part of their efforts to encourage teachers to foster an understanding of Mexican heritage and culture in their students. 

Comment on this post below, or inspire insight with your own OIC Moment here.


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\"Female

Las Chiapanecas<\/em>\u00a0(The Women of Chiapas) \u00a0whirl\u00a0in an elegant tornado of color and tradition.
\u00a9 Eva Boynton<\/p><\/div>\n

One Stage, Many\u00a0Colors<\/h2>\n

When you travel, timing is everything.<\/p>\n

In a new city, any\u00a0turn down a street\u00a0can bring a\u00a0surprise—like\u00a0my walk down calle Miguel Hidalgo<\/em>\u00a0in Toluca, Mexico, that led me straight into a festival lit up with color, music, and dance.\u00a0This was Toluca’s third Festival Cultural,\u00a0<\/em>highlighting National Teacher’s Day on May 15.<\/p>\n

A single stage celebrated dances and music from around the world, showcasing performers of\u00a0traditional\u00a0Mexican dances\u00a0side by side with those who embraced more modern influences.\u00a0The event showed how\u00a0Mexico goes across cultures to\u00a0form an eclectic cultural identity.<\/p>\n

Embracing the Present<\/h4>\n

Los ni\u00f1os<\/em> (the kids) launched\u00a0the festivities with flair. In\u00a0colorful costumes, they performed dance routines inspired by movies, musicals, and—in this case—music\u00a0by Christina Aguilera and Michael Jackson.<\/p>\n

\"Young

A tip of the hat to JAZZ!
\u00a9 Eva Boynton<\/p><\/div>\n

Groups of performers, each from\u00a0a different preschool or\u00a0elementary school, garnered\u00a0smiles and applause even when\u00a0a child missed\u00a0the cue or ran into a fellow dancer in a\u00a0pirouette across the stage.<\/p>\n

\"Ballarinas

Ballet, originating in Europe and Russia, is a part of modern Mexico and
sometimes mixes with\u00a0traditional dance.
\u00a9 Eva Boynton<\/p><\/div>\n

The dancers’ earnest effort, costumes, choreographed moves, and elaborate set changes demonstrated their dedication to the cultural celebration.<\/p>\n

I had never imagined being at\u00a0a Mexican festival singing along to Hakuna Matata<\/em>, It’s a Hard Knock Life,<\/em> and other familiar\u00a0songs\u00a0from The\u00a0Lion King<\/em>, Peter Pan<\/em>, Annie,<\/em>\u00a0The Wizard of Oz,<\/em>\u00a0Grease, Chicago,<\/em> and Cats<\/em>.<\/p>\n

\"Mexican

A pause in the performance by the scary Wicked Witch of the West\u00a0from The Wizard of Oz
\u00a9 Eva Boynton<\/p><\/div>\n

Yet, on this day at\u00a0this Festival Cultural<\/em>, jazz born in New Orleans and ballet originating in Europe seemed a natural part of modern Mexican traditions.<\/p>\n

The\u00a0performances celebrated these\u00a0modern-day influences, and\u00a0with a nod to the\u00a0younger generations, they incorporated new colors of culture into\u00a0Mexican tradition.<\/p>\n

Crossing Paths with\u00a0the Past<\/h4>\n

As Dorothy\u00a0and Toto\u00a0exited the stage, however, Aztec dancers entered the spotlight.<\/p>\n

A shift in cultures, for sure. But\u00a0as Mexico’s danzas folkl\u00f3ricas<\/em>\u00a0(folk or traditional dances) played out, it became apparent that these dances, from 31 different states, stepped across cultures and times themselves.<\/p>\n

Each dance told\u00a0a story of its origin and time, reflecting indigenous roots, local traditions, or\u00a0historical events:<\/p>\n