Like many photographers, my eye is constantly drawn to vibrant murals and colorful street art. I often stake out a spot in front of an exuberant wall and wait for the perfect, pristine moment to capture the image.

Art appreciation guidelines suggest that the artist’s message is best interpreted with as little interference as possible between you and the art.

I’ve spent plenty of time waiting for everyone to get out of the way so I can snap the perfect picture, free of unplanned interlopers. But now I’m not so sure that’s really the best way to catch the spirit and meaning of art created on public surfaces.

It’s Alive!

More and more often lately, I’ve stopped waiting for everyone to clear out. I just snap away.

When I go back through my photos, I find that the shots with people in front of them often capture the sensation of viewing street art much better than the pristine gallery shot.

An “Oh, I see” moment came when I was trying to choose the best picture of a mural in San Telmo, Buenos Aires. The shot I took of only the artwork was a fine, clear record.

But the photos with people passing by the mural do a much better job of capturing the playful way the giant apes interact with their close-kin cousins on the street.

I’ve come to realize that the interaction between the passersby and the art is an important part of the message in street art.

Random Acts of Finesse

The more photos I take of people in front of murals, the more instances I find of happy accidents and lively synchronicities. Of course, these visual events happen whether or not a camera’s there to record them. They’re a built-in part of the street art experience.

Colors recombine in surprising and appealing ways, turning people—and their clothing—into part of the design.

Contrasting energies create tension and interest. A young soccer player waits for friends to arrive, while the wall in front of him is already in full play mode.

Part of the Art

Even though it seems contradictory, I now believe that street art looks best when you can’t see everything clearly. Obstructions are constructive.

It’s the reason that gallery shows of street are are so often disappointing. The sterile viewing conditions of a museum don’t enhance our view of street art—they limit it.

Of course, murals and other street art are best viewed in person, surrounded by the pulsing action in which they were created.

But since I can’t curb the desire to capture this energy in photos, I’ve adjusted my street art appreciation to include the web of people, pets, and other features that I once thought of as unwanted obstacles. Now I see them as part of the art.

Comment on this post below, or inspire insight with your own OIC Moment here.

$\"Mural$

Thumbing his nose at the rules of art appreciation?
\u00a9 Bruce Goldstone<\/p><\/div>\n

Obstructions and Street Art Appreciation<\/h2>\n
Like many photographers, my eye is constantly drawn to vibrant murals and colorful street art. I often stake out a spot in front of an exuberant wall and wait for the perfect, pristine moment to capture the image.<\/p>\n
Art appreciation guidelines suggest that the artist’s message is best interpreted with as little interference as possible between you and the art.<\/p>\n
I’ve spent plenty of time waiting for everyone to get out of the way so I can snap the perfect picture, free of unplanned interlopers. But now I’m not so sure that’s really the best way to catch the spirit and meaning of art created on public surfaces.<\/p>\n

It’s Alive!<\/h4>\n
More and more often lately, I’ve stopped waiting for everyone to clear out. I just snap away.<\/p>\n
$\"Mural$
An addled face responds to the rhythms of street traffic.
\u00a9 Bruce Goldstone<\/p><\/div>\n
When I go back through my photos, I find that the shots with people in front of them often capture the sensation of viewing street art much better than the pristine gallery shot.<\/p>\n
An “Oh, I see” moment<\/strong> came when I was trying to choose the best picture of a mural in San Telmo, Buenos Aires. The shot I took of only the artwork was a fine, clear record.<\/p>\n
$\"Mural$
Nice pic, but something’s missing,
\u00a9 Bruce Goldstone<\/p><\/div>\n
But the photos with people passing by the mural do a much better job of capturing the playful way the giant apes interact with their close-kin cousins on the street.<\/p>\n
$\"Three$
Add a few more primates and a hidden energy springs to life.
\u00a9 Bruce Goldstone<\/p><\/div>\n
I’ve come to realize that the interaction between the passersby and the art is an important part of the message in street art.<\/p>\n
Random Acts of Finesse<\/h4>\n
The more photos I take of people in front of murals, the more instances I find of happy accidents and lively synchronicities. Of course, these visual events happen whether or not a camera’s there to record them. They’re a built-in part of the street art experience.<\/p>\n
$\"Mural$
Follow the bouncing arrow
\u00a9 Bruce Goldstone<\/p><\/div>\n
A rubbery arrow seems to push this woman along the sidewalk.<\/p>\n
$\"Mural$
A passing red jacket adds a vibrant burst to the color palette.
\u00a9 Bruce Goldstone<\/p><\/div>\n
Colors recombine in surprising and appealing ways, turning people\u2014and their clothing\u2014into part of the design.<\/p>\n
$\"Mural$
Waiting for the game to start
\u00a9 Bruce Goldstone<\/p><\/div>\n
Contrasting energies create tension and interest. A young soccer player waits for friends to arrive, while the wall in front of him is already in full play mode.<\/p>\n
Part of the Art<\/h4>\n
Even though it seems contradictory, I now believe that street art looks best when you can’t see everything clearly. Obstructions are constructive.<\/p>\n
$\"Mural$
Blending in and adding dimension
Bruce Goldstone<\/p><\/div>\n
It’s the reason that gallery shows of street are are so often disappointing. The sterile viewing conditions of a museum don’t enhance our view of street art\u2014they limit it.<\/p>\n
$\"Mural$
Visual overload can be a good thing.
Bruce Goldstone<\/p><\/div>\n
Of course, murals and other street art are best viewed in person, surrounded by the pulsing action in which they were created.<\/p>\n
But since I can’t curb the desire to capture this energy in photos, I’ve adjusted my street art appreciation to include the web of people, pets, and other features that I once thought of as unwanted obstacles. Now I see them as part of the art.<\/p>\n
Comment<\/i><\/a>\u00a0<\/em>on this post below, or inspire insight with your own\u00a0OIC Moment\u00a0<\/em>here<\/em><\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":null,"protected":false},"author":9,"featured_media":18748,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[239,126],"tags":[],"class_list":["post-18742","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-argentina-mappoints","category-art-creative"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/posts\/18742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/comments?post=18742"}],"version-history":[{"count":1,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/posts\/18742\/revisions"}],"predecessor-version":[{"id":40707,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/posts\/18742\/revisions\/40707"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/media\/18748"}],"wp:attachment":[{"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/media?parent=18742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/categories?post=18742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.oh-i-see.com\/blog\/wp-json\/wp\/v2\/tags?post=18742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}